LucyandBart

WE'RE SUPPORTING

We asked Melbourne-based artist Justin Williams to tell us about his work: ‘I am always interested in the way humans and animals relate to each other, and the similarities we share, as well as the major differences. This work was inspired by my girlfriend’s dog, and a photo of her as a child, joining the two together as if they both cant make decisions without the other’. Read more

WE'RE TRAVELLING TO

MP5 + TO/LET are a collective of three girls from Rome and from Bologna who have been working on installations and graffiti since 2006. This graffiti was created in Medika, a new squat in Zagreb, Croatia. They were invited there for the Vox Feminae Festival, and this was painted in four days in the main entrance. Read more

WE'RE WEARING

The My Town In My Home collection of hand-knitted fashion by Yoshikazu Yamagata and Mafuyu was exhibited at this year’s Amhem Mode Biennale in Amsterdam. Sure gives a new twist to the saying, ‘wherever I lay my hat …’ [see also the Brain Bag by Jun Takahashi]

WE'RE THINKING

Gonzales’ gentle piano reworking of the beautiful Feist soliloquy, One Evening, trickles through my headphones like the sweetest sprinkle of mid-winter sunshine.

WE'RE READING

From the cutting rooms of Dior through to the backstages of the Babyshambles, and even These New Puritans, it seems former Dior designer Hedi Slimane has seen it all. But his newly published photography concept book — Rock Diary — leaves me asking many questions about the symbiosis of fashion and music, especially the glorification of renowned drug addict Pete Doherty. Read more

Having originally sprung from the Shaky Isles (otherwise known as New Zealand), I can appreciate the humour in the New Zealand cartoon series, Bro Town, the first homegrown animated series to screen during local prime time. It’s simply brilliant, a real play on the ‘thuck’ accent and small town ways of our Kiwi brethren.

WE'RE LISTENING TO

Where would we be without synths and drum machines? Probably still listening to Grateful Dead jams in the alleyways of Height-Asbury. Done well, the remix is a wonderful thing. Case in point is Royksopp’s rendering of the Kings of Convenience track I Don’t Know What I Can Save You From. And then there’s Riton’s version of the Mystery Jets song, The Boy Who Ran Away. A White Lines for the 21st Century? I think so.