Brandon Jan Blommaert’s Virtual Trash sculptures
In Brandon Jan Blommaert’s latest exhibition, he takes inspiration from Godzilla and creates large sculptures of robots and monsters from trash that he has salvaged himself and then photoshops a fantasy background behind them. It was all created as a series of public artworks for a Canadian town in Alberta. The main message? We will most likely have to live with the trash we created.
Tagged: Brandon Jan Blommaert, Godzilla, Virtual Trash sculptures
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Also by KATRIANE HILL
eVaro 3-wheel electric vehicle
This year’s SEMA show in Las Vegas was home to several electric vehicles, yet the eVaro seems to have garnered the most attention, boasting zero carbon emissions for 90 per cent of the time spent on the road and an impressive mpg of 275. Read more
American eco-fashion visionaries
Pratt Manhattan Gallery, in a show guest curated by Francesca Granata (Parsons School for Design Lecturer) and Sarah Scaturro (adjunct instructor for Fashion Institute of Technology), takes a look at American eco-fashion visionaries — such as Alabama Chanin [above], Uluru, Loomstate, and others. Read more
Eco skyscraper design in Philadelphia
Philadelphia’s 58-floor Comcast building has been awarded the Gold Certification for LEED-CS (core and shell). The obelisk-formed building, which sits right above the Suburban railway station, boasts high performance glass and sunscreens, which helps keep out 60 per cent of the sun’s heat and contains 70 per cent of the site’s available light. The building also boasts high-efficiency water utilities, allowing for 40 per cent less of water consumption than a traditional office building. The building, Gold certified LEED by the architect Robert A.M. Stern, is one of the first, but certainly not the last, skyscraper to get certified.
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When looking at the beautiful paintings of Mamma Anderson, I almost get the impression that the art world is being forced to look back upon itself. The body of her work seems to present itself like a textured snapshot of galleries, coffeshops and well-designed interiors. The rough, folksy execution of these paintings stands in pretty stark contrast to the particularly slick world she chooses to depict. Refreshing, to say the least. Read more
I interviewed the mysterious Suitman some time ago for the Australian magazine, Riot. Even then it was clear that, with his immaculately pressed suit and crisp white shirts, he was an icon – both stylistically and conceptually. So it’s no surprise to hear about his latest adventure, The New Grand Tour, ‘an episodic art project featuring revolving guest artists with hyphenated cultural and geographical backgrounds. Read more
The My Town In My Home collection of hand-knitted fashion by Yoshikazu Yamagata and Mafuyu was exhibited at this year’s Amhem Mode Biennale in Amsterdam. Sure gives a new twist to the saying, ‘wherever I lay my hat …’ [see also the Brain Bag by Jun Takahashi]
Ok, a confession. And one made with the full weight of its implications bearing down on me like a load of feathers. Extra soft ones of course (well, it is my confession). When I see bands play – and I mean good bands; bands with rhythm – my right leg gyrates like a stunned jellyfish. Read more
Somehow, meme-based blogs never lose their charm. Maybe because they’re just so stupid. The FAIL blog is simply a catalog of the funniest FAIL images on the web.
Oh man! To be young enough to bop, groove and scratch like these kids. For Japanese superstars DJ Sara (8 years old) and DJ Ryusei (5 years old), there’s no such thing as tomorrow. Read more
Austin band The Low Lows are one of my most prized finds of the year so far. It’s introspective music — staggered harmonies delivered by a distant, agonised voice that filters through a wall of tranquil guitar distortion and measured drumming. Every instrument carries a powerful emotion, sometimes keeping their distance from one another, floating up and around the airwaves, and other times colliding and crashing back to earth.
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Charlie Immer’s pastel-pallete sometimes obfuscates the gory violence in his surreal images. At other times, it heightens the gut-wrenching and visceral effect of his work. Read more
Our celebrity-saturated culture makes many of us irrationally hateful of the faces we see on our TV screens and magazine pages. Good thing there’s Celebrity PunchOut to let off some of that steam.
Yum, yum, cupcakes are fun. These creations are so clever, so arty, so damn bizarre that it would almost be a shame to eat them. Almost! Read more
1970s and 80s Soviet Union buildings
Cambodian born photographer Frederic Chaubin is the editor of French magazine Citizen K. His photo series on bizarre buildings built in the former Soviet Union during the 1970s and 80s is absolutely fascinating. Read more
Scanners’ new single Salvation
I love this track by London based rock group, Scanners, which is off their latest album, Submarine. Having toured with acts such as The Horrors, The Wedding Present, The Charlatans, Electric Six, and Juliette & The Licks, Scanners could well blow up in 2010. Figuratively speaking, not literally. No, that wouldn’t be fun.
Thanks to Sony Australia, four Lost At E Minor readers will win personal audio prizes, including the new 8GB Walkman S series video MP3 player and the MDRXB500 Extra Bass headphones. Read more
Made from 100 percent organic cotton, pesticide free, and eco-friendly, this super soft tee featuring a unique, bold design celebrates a sinister world of kaleidoscopic colours and ripples of psychedelia, of serenading Queens, of dancing flamingos, of unimaginable euphoria. It’s all the work of Sydney label, Das Monk and it’s available through the Lost At E Minor online store for just US$40. Now, there’s one hell of a Christmas present, even if we do say so ourselves Read more
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