Timothy Karpinski

WE'RE SUPPORTING

Erika Larsen’s cattle ranch photographs have a surreal yet timeless quality to them. I would never have guessed that they were commissioned by a business magazine. We caught up with the New York-based photographer recently to find out about her time on the ranch. Read more

WE'RE TRAVELLING TO

I just came back from teaching a week-long illustration workshop in Venice, Italy. After finish up the class each evening, the students and I often ran to our favourite gelateria in town, Nico. Read more

WE'RE WEARING

I was initially drawn to Belgium-born Christophe Coppen’s jewellery before discovering that he produces two mens and womens collections each year, consisting not only of jewellery, also of but couture pieces and home accessories. With seven interior collections to his name, and a past history as both a theater director and an actor, his work is an expression of his creative brilliance.

WE'RE THINKING

I love how illustrator and artist Wesley Allsbrook colors her work with pulsating acid-like washes and varied textures, setting off her gorgeous animated line work just beautifully. Read more

WE'RE READING

Fans of Australian buzzsaw rock trio, The Vines, might like to check out our sister site, My Secret Playlist, where drummer Hamish Rosser has written about eight songs he’s digging right now. There’s some interesting choices in there including The Strokes, James Brown, and, gulp, Joan Jett.

This clip had such an impact on me when it first came out, back in the day. There’s just something so poignant about the idea that some people you pass on the street everyday have a little bit more insight into their world — our world — than we could ever imagine. It’s beautiful and confronting, and it’s all set to the most wonderfully evocative music.

WE'RE LISTENING TO

Baltimore’s Teeth Mountain create pulsing, shamanistic, tribal-sounding tracks from a bunch of floor toms, cello, mandolins, keyboards, saws, and whatever else they can get their hands on. The chaotic music they make is noisy, roughly-hewn, and impulsive-sounding, but that seems to be the point. They’re trying to evoke a sort of post-apocalyptic primitivism. It will be interesting to see where this collective takes their aesthetic.