Buried: a short film by Tim Bollock

WE'RE SUPPORTING

The New York Times has just run an interesting article about artist Jorge Colombo, who created this week’s cover for The New Yorker magazine exclusively using the iPhone application Brushes: ‘Absolutely nobody can tell I am drawing’. Colombo told the Times. ‘In fact, once I was doing the drawing at some place, and my wife was around, and they asked her why did I have to work so hard? I seemed to be always on my iPhone sending messages’. Read more

WE'RE THINKING

Some artists manage to make their rough sketches as compelling as their finished pieces. Natalie Hall is one such artist. Her weird mythic creatures are so much better than anything Disney has conjured up. Read more

If animated wall drawings of severed heads and insect men ejecting their brains from their craniums is what people produce when they have too much time on their hands, then we should do their laundry for them and cook them dinner so they’ll have even more time on their hands.

WE'RE TRAVELLING TO

This is the mob scene that was outside the Ugg Boot store on Mercer Street, Soho, yesterday as I made my way through the harping hustle and flow of the downtown post-Christmas shopping crowds. And it’s a pretty familiar sight during winter in New York, with long queues invariably gathered along this stretch of road, waiting impatiently for their own little piece of Down Under warmth. Having never worn Ugg boots, I can’t attest for their ability to keep out the icy chill of a 3pm breeze. But surely the well worn feet of a stampede of New Yorkers can’t be wrong? Read more

WE'RE READING

Fans of Australian buzzsaw rock trio, The Vines, might like to check out our sister site, My Secret Playlist, where drummer Hamish Rosser has written about eight songs he’s digging right now. There’s some interesting choices in there including The Strokes, James Brown, and, gulp, Joan Jett.

WE'RE LISTENING TO

These heady times call for heady music, something spaced-out, trance-y, weird, and devilishly ecstatic to distract us from reality. Chicago’s Cave heeds this call for musical escapism, channeling Hawkwind, Kraftwerk, funk, and tribal frenzy into their mothership-beaconing groove.

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WE'RE WEARING

It’s official, I’m back into jewellery after detoxing from the 2001 chandelier earring craze. Aurélie Bidermann used to work at Sotheby’s New York in their Impressionist and Contemporary Art department but has been slowly raising though the ranks as one of the most innovative jewellery designers around today. Her website doesn’t showcase her fantastic Spring 09 pieces. Check out the accessory report on style.com for a good look at some of her new work.