WE'RE SUPPORTING

Ugandalebre, nee Sergio Hortelao of Portugal, hocks up some colorfully twisted images onto the page. Crazy, vomiting sheep, disemboweled, four-eyed cow creatures, and fire-spewing demons never looked so fun. Read more

WE'RE TRAVELLING TO

Over at Apartment Therapy, Cemusa has been cited as the design group responsible for the stylish glass street furniture popping up around New York City. Read more

WE'RE WEARING

Aussie streetwear label Zanerobe create the most wearable t-shirts around. Not only are they soft like the fur off a particularly smooth peach, they look mighty sharp too. Read more

WE'RE THINKING

Dear Miss Helena, one time host of children’s show Romper Room, you have a lot to answer for. Yes, squeaky clean Miss Helena of wholesome blouse and values, I have not forgotten those childhood years spent patiently glued to the television waiting for you to call out my name through the magic ‘looking glass’ — that portal to ‘good’ children everywhere. Read more

WE'RE READING

Illustrator Dallas Clayton has just published an awesome book called, wait for it, An Awesome Book. It’s a ridiculously cute, heart-rending children’s book, encouraging kids and adults alike to never lose our senses of wonder and imagination (psst, it could make a great late gift idea!)

Says Van She bassist and vocalist Matt Van Schie about the Bush Tetras track — Too Many Creeps — from 1982: ‘I LOOOVE this tune. It opens with a perfect snare roll, and then the counter bass and guitar rhythms make it so cool. The lyrics are even more valid today. They’re one of my favourite bands of all time, and so many people try to do what they did for real. What a time! I wish I was born back then in New York, hanging out with these kids. Ahhhh!!’

WE'RE LISTENING TO

There’s not much one can say about an artist who has recorded more than 400 albums — even if you manage to listen to a large portion them, there’s a good chance you’ve missed something. Good thing, as far as I know, R. Stevie Moore is the only person who has released that many records (Daniel Johnston may come close), many of which were cassette-only or printed in limited numbers. Virtually unknown for decades, the obsessive music geekdom that has reached a fever pitch as this generation of fans has allowed Moore to keep his relentless flow of Zappa-esque weirdness, power-chord pop, tongue-in-cheek ballads, satirical new wave, and whatever else we’ve most certainly missed, gushing out into the universe.