WE'RE SUPPORTING

These beautiful portraits by New York-based artist, Skye Nicholas, are works of oil pigment and crayon on brown paper. Read more

WE'RE TRAVELLING TO

I love Copenhagen’s Meyers Deli. I don’t know if it’s the giant plates of organic food or the super cool and warm environment. Read more

WE'RE WEARING

Now I know what you’re thinking. This Australian summer you’re going to see the wayfarer style ripped-off and ruined by flouro festival wearers all over the country. But these babies aren’t just for show. Handmade by one of Italy’s most prestigious factories, using Zeiss lenses, they’re a far cry from the flimsy market numbers you’ll catch the masses wearing. Read more

WE'RE THINKING

Employing a whole gamut of textures and mediums, London-based illustrator Gwen Lee creates perfectly spontaneous black and white drawings that really hit the spot.

WE'RE READING

Fans of Australian buzzsaw rock trio, The Vines, might like to check out our sister site, My Secret Playlist, where drummer Hamish Rosser has written about eight songs he’s digging right now. There’s some interesting choices in there including The Strokes, James Brown, and, gulp, Joan Jett.

‘Lost’ is the most recent film production in the urban art series produced by Tokyo-based art crew Rinpa Eshidan. Read more

WE'RE LISTENING TO

Austin-based Future Clouds and Radar, the eclectic art-pop ensemble headed by Robert Harrison, has recently released its sophomore recording, Peoria. Where their self-titled debut album showed Harrison as the central figure in a large musical cast, Future Clouds and Radar’s latest offering finds the core band focusing their kaleidoscopic vision into a single cinematic narrative about the illusory nature of mortality. Throughout, Harrison stays true to his genre-hopping eclecticism, leading the journey through a maze of fuzz-box vocals and ethereal keys.