WE'RE SUPPORTING

We checked in with one of our favourite illustrators, Yuko Shimizu, recently: How are you dealing with the mugginess of the New York summer? ‘I am originally from Tokyo, where humidity is a lot higher in general, and summer temperature can go a lot higher’. Read more

WE'RE TRAVELLING TO

This gourmet paint is made by only two dedicated paint makers without fillers, just pigment and oil, like it should be. There is only one store that sells it and it is run out of the Elisabeth Foundation for the Arts building in Chelsea, New York. They have a table set up there so you can play with and mix any of the colours together to see its effects. I usually go to pick one tube up and hang around asking questions to one half of the duo, Gail, and usually leave with five tubes, having learned a lot about the history and the process behind each colour.

WE'RE WEARING

Abstracted geometric forms, peculiar clockwork pieces, and a sense of childhood play; I can’t quite pinpoint why I love the jewellery designs of Sydney creative, Elke Kramer, but I do know that her jewellery is unique and off-beat, yet widely accessible and wearable. Read more

WE'RE THINKING

In late 80s and early 90s, the Illustrated Laser Ray and futuristic grids aesthetic was a sensation, years before it began to diminish abruptly. But just like every fashion, it became mainstream and mutated into portrait backgrounds. A large amount of these pictures are documented on the Laser Portraits websites. Read more

WE'RE READING

A Paper Tiger is a new venture that launched in January of this year selling exclusive prints by some of my favorite artists such as Jack Long [shown above]. Read more

How many times can we play the same song in different settings? Hmmm, I don’t know. But it is a hell of a song, from a hell of a band, as that uniquely English oddity, Jules Holland would no doubt concur.

WE'RE LISTENING TO

Baltimore’s Teeth Mountain create pulsing, shamanistic, tribal-sounding tracks from a bunch of floor toms, cello, mandolins, keyboards, saws, and whatever else they can get their hands on. The chaotic music they make is noisy, roughly-hewn, and impulsive-sounding, but that seems to be the point. They’re trying to evoke a sort of post-apocalyptic primitivism. It will be interesting to see where this collective takes their aesthetic.