WE'RE SUPPORTING

Prog rock had Roger Dean, ’80s death metal had Dan Seagrave, and now, the new wave of American heavy metal has Tom Denney, who creates some of the most intense and intricate album covers since the psychedelic ’70s. Read more

WE'RE TRAVELLING TO

When you first see The Gershwin Hotel, you might think it’s an art gallery or a public art installation. The white, bird-like shapes sticking out of its red facade is certainly unique, without being too loud. The rooms are rather small but the location and accessible price range makes it all worth it.

WE'RE WEARING

Made from 100 percent organic cotton and eco-friendly, this super soft tee celebrates a sinister world of kaleidoscopic colours and ripples of psychedelia, of serenading Queens, of dancing flamingos, of unimaginable euphoria. It’s all the work of Sydney label, Das Monk and it’s available through the Lost At E Minor online store for just US$40. Now, there’s one hell of a Christmas present, even if we do say so ourselves!

WE'RE THINKING

‘Some people call me the space cowboy, some call me the gangster of love, some people call me Maurice, cause I speak with the pompetus of love’. The pompetus of love?! Really. I don’t know what the heck Steve Miller was on the day he wrote that, but I could sure do with some now. Read more

WE'RE READING

The demise of our beloved print medium is a harsh reality that a lot of independent magazines have been dealing with for the past five years at least. So we all frequent a ton of different sites that we like and one in particular that’s really given itself a pick-me-up online, for the better good of longevity and legacy, is Planet magazine. Read more

An intelligently told, morally complex tale with a raft of unexpected twists, Gone Baby Gone is one of the most original films of recent times. Most films give you a sense of their narrative arc and it is easy to recognise the major plot points. Read more

WE'RE LISTENING TO

Analog electronics by British outfit Belbury Poly (Jim Jupp and Eric Zann) make me believe machines have souls and the ghosts of obsolete recording devices are haunting the dusty stacks of libraries debating the relevance of 60s avant-garde music and counterculture.