Peter Funch

WE'RE SUPPORTING

For the longest time I was an enormous admirer of the loopy, distinct line drawings of Brooklyn-illustrator Matt Hollister. Having seemingly lost track of his work for a couple of years (who knows how that manages to happen), I was shocked to stumble across his work yet again recently while perusing the New York Times. I had to check out his website immediately, and from there I wandered into his blog. The best part was that you could almost watch a new style emerge chronologically, beginning with the old drawings and then a small experiment, a mono print and then, more and more, mono prints and experiments, less and less loopy drawings. Even the subject matter seems to have changed and become much quirkier to accommodate the new style. I’m certainly feeling that staying abreast of Hollister’s work should now prove pretty inescapable.

WE'RE LISTENING TO

A project of my producer and drummer, Tucker Martine, Mount Analog’s soundscapes are gorgeous, melty mixes of organic and processed sounds. Martine brings the best musicians together to create strange and beautiful music.

WE'RE THINKING

Jell-O! Liz Hickok’s latest artworks are based on a colourful, wobbly, mini San Francisco. Read more

WE'RE TRAVELLING TO

The young architect Junya Ishigami is pushing the boundaries of the weightless aesthetic stream of architecture. Here, for the Kanagawa Institute of Technology, he has designed a glass and steel pavilion with a roof that floats on a sparse forest of thin steel columns or ‘flats’. Read more

WE'RE WATCHING

Films involving characters faced with an impossible choice never make easy viewing, an example being the Nick Cave Australian gem, The Proposition. A nightclub manager, played with understated power by Joaquin Phoenix, is the victim here, and you actually feel truly uncomfortable as his predicament unfolds. Set in the 1980s, We Own The Night shows a real nostalgia for that period — particularly in the costumes. Read more

WE'RE WEARING

Yes, Karen O wears it. And we don’t blame her. Launched by make-up artist, Mike Potter, Knock Out Cosmetics nail polish is a little Victorian, a touch art deco, and a lot of rock n’ roll.

WE'RE READING

San Francisco-based illustrator Luke Feldman has just had his first children’s book published, Chaff n’ Skaffs: Mai and the Lost Moskivvy, a collaboration with writer Amanda Chin. The book artfully tells the story of Mai, ‘a young girl who never ventured too far from her home. When a lost mosquito interrupts Mai’s sleep, her friend Chaff suggests they escort Moskivvy back home to a faraway land. So begins a courageous girl’s voyage into a fantastic world’, all communicated beautifully through Feldman’s colorful, dynamic and considered illustrations. Read more