Wardruna
I may not have a drop of Viking blood in me, but when I hear bands like Wardruna, I feel like lighting a fire and breaking out the cask of mead. A side project of occasional Gorgoroth drummer Kvitrafn and featuring Gorgoroth frontman Gaahl on vocals, the band attempts to capture the lost sounds of pre-Christian Norway, generating an ambient, folk-based sound that invokes pagan spirits and Nordic gods. Many black metal bands have put out acoustic albums, but the absence of guitars and the use of goat horns and other such traditional instruments sets this apart from other pagan folk projects.
Tagged: black metal, folk, Norway, Norwegian bands, pagans
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I saw Norwegian duo Kings of Convenience play the other week in New York. As a long time fan of the group, this was a much anticipated show. And while I was a little disappointed that they opened the set playing their entire new album — Declaration of Dependence — from beginning to end (which no one had been able to hear yet), and not any of their earlier material, there were some truly beautiful songs amongst it all that have quickly become oft-repeated favorites. At the top of that list is this typically wistful and melancholic track, 24-25.
I’ve heard whispers that Kings Of Convenience, the Norwegian duo of folkloric proportions, have split. I hope they’re unfounded, but like all good rumours, where there’s smoke, there’s fire. Perhaps Erland Oye is enjoying the unlimited scope of his solo career too much? And then there’s his new submorphic guitar pop project, The Whitest Boy Alive, to keep him occupied. The whitest boy alive? Indeed he is. But damn the guy can sing.
I first came across this track from Norwegian band Motorspycho a few years back on a randomly acquired CD, which promptly went missing deep within an ever growing collection. For years, I had a fond recollection of its bluesy, rocky feel and slippery bass groove. But it wasn’t until recently that I rediscovered it. Pleased that I did. It’s one killer track.
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