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WE'RE SUPPORTING

Monsieur Cabinet has been making the mundane beautiful by emphasising its natural qualities, as reflected in these wonderful drain artworks. Read more

WE'RE TRAVELLING TO

Thanks to the Julia Roberts movie of 1988, Mystic, Connecticut is home to what is perhaps the most famous Pizza joint in America. Read more

WE'RE WEARING

Derrick R. Cruz has channeled his talent for creating densely detailed works into the creation of the brand Black Sheep and Prodigal Sons. Fuelled by the New York city art and fashion scene, Cruz’s pieces are timeless but relevant, and beautifully detailed in their imperfections. They combine gold, silver, resin and bronze to create dark but wearable art.

WE'RE THINKING

Ok, so this is actually an artwork by Will Cotton, but it fits every criteria for my dream house, aged 6. Smartie wall coatings? Check. Biscuit entryway? Check. A smiling lollipop garden, sitting over luscious dollops of magnificent cream? You betcha. Ah, please, take me there. Now. And give me a decent sized spoon for my troubles.

WE'RE READING

DM Stith recently signed to Asthmatic Kitty, the same label as Sufjan Stevens, and has a new EP out this week titled Curtain Speech, featuring contributions from Shara Worden (My Brightest Diamond), Rafter, Sebastian Krueger and the string quartet Osso. Think Animal Collective and Grizzly Bear meets Arthur Russell. We got the rundown from him on his eight favourite songs right now and he kicked off with The Shangri-Las’ Out In The Streets [listen below]: ‘1:22 – 1:43 is a miracle. I’ve never been so obsessed with twenty seconds of high-hat and high school girl shrieks: it’s a raging teenage fantasy that all the composition notebooks in all the lockers of 1965 couldn’t write better. That the singers have managed to preserve their naivety perfectly in this three minute song may be the reason I feel recording pop music is worthwhile’. Read the rest of DM Stith’s Secret Playlist.

The very talented Jess Snow, the first video artist to be featured by Female Persuasion — the original site for provocative and political female artists — has created this ethereal short video for Lost At E Minor. We feel it. We love it. [see also the promo video Lifelongfriendshipsociety created for us]

WE'RE LISTENING TO

Where would we be without synths and drum machines? Probably still listening to Grateful Dead jams in the alleyways of Height-Asbury. Done well, the remix is a wonderful thing. Case in point is Royksopp’s rendering of the Kings of Convenience track I Don’t Know What I Can Save You From. And then there’s Riton’s version of the Mystery Jets song, The Boy Who Ran Away. A White Lines for the 21st Century? I think so.