Hiroshi Manaka

WE'RE SUPPORTING

The bio of San Fransisco-based illustrator Jenn Porreca says it all way better than I ever could: ‘Some time ago, Jenn Porreca moved from the edges of the real world to the edges of the underground. Read more

WE'RE THINKING

Scott Teplin’s candy-colored paintings and incredibly detailed line drawings of wrecked vehicles as well as his Sims-like images of surreal, fantastical urban structures express both malaise and wonderment at the spaces we have created for ourselves in modern life. Read more

WE'RE READING

We’ve invited some of our favorite creative peeps — including Ben Lee and artist Sam Weber — to write posts for Lost At E Minor over the past few months about their favorite cultural things and people right now. Read more

WE'RE LISTENING TO

Listening to Mum’s fourth album — Go Go Smear the Poison Ivy — for the first time, I was awash with sentimentalism. Amidst carnival trumpets and burlesque beats, there’s a sense of this being a bohemian rhapsody. Perhaps it’s the mix of cello and brass with experimental electronica. Or maybe it’s just the soft vocals that cascade over playful, imaginative sounds. Whatever it is, it’s totally brilliant. [see also Sigur Ros' Heima]

Listen to Mum’s track, The Amateur Show.

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WE'RE TRAVELLING TO

As part of the Robin Hood Foundation, a charity organization whose mission it is to fight poverty in New York City, Lost At E Minor contributor and in-demand illustrator in her own right, Yuko Shimizu — in collaboration with designer Stefan Sagmeister — recently completed an eleven panel mural at PS96 in The Bronx. Read more

An intelligently told, morally complex tale with a raft of unexpected twists, Gone Baby Gone is one of the most original films of recent times. Most films give you a sense of their narrative arc and it is easy to recognise the major plot points. Read more

WE'RE WEARING

Luxury goods have been getting a bad rap lately, and for good reason. Now I don’t know how you roll, but we don’t know many people who enjoy covering themselves head-to-toe in someone else’s initials. Yet for some reason designers think that diamante logos and monogrammed tapestries are the best mediums to communicate their brand. So it’s just as well LA based eyewear label Barton Perreira doesn’t play by the rules. Starting out less than a year ago, you won’t find their designs getting over-excited by insignia. Instead, these guys hand make their frames in Japan to rely on precision, fit and design. And that’s the way it should be.