Amy Crehore
Painter Amy Crehore’s paintings of nudes hanging out in the jungle with monkeys, cats, lions, and little kids dressed like clowns remind me bit of Frida Kahlo’s work. Crehore seems to be making a comment about the male gaze — the women in her work seem to be both aware of and indifferent to the masculine lust they inspire.
The animals and children in her paintings are capable of giving and receiving love without lust, and the subjects’ nudity represents freedom and a sense of self (which is why they are often playing instruments) as well as a self-contained sexuality that doesn’t require a partner. In one painting, the Oregon-based artist depicts a male demon figure tied to a tree, thereby emasculating him while allowing him to continue to passively look on. In another painting, a woman masturbates while a child and two animals look on — the child is curious and fascinated, but not lustful, the cat seems knowing, and the third character in the painting has a lustful but ridiculous, cartoonish expression on his face, again, an effort by the artist to diffuse male desire.

Tagged: Amy Crehore
Also by GERRY MAK
Bill Fick’s linocuts, silkscreens, and tempera painting
Chapel Hill-based printmaker Bill Fick makes awesomely grotesque faces and creatures with linocuts, silkscreens, and tempera paint. They have a vintage feel to them, as if the rotted remains ’50s advertising images have risen from the dead. Read more
Sarah Appleboum makes a neon felt and yarn explosion in your face and everywhere, the epicenter of which is in San Francisco. While you’re unconscious from the impact, you will dream of rainbow yetis, shamans, and soft revolvers.
Anointed Best New Band of 2009 by Baltimore’s City Paper, Sick Weapons embody basically what’s so great about this town — trash, and good times. They spit out sloppy, warbling, ear-piercing punk that’s more giddy than it is snarling, with frontwoman Ellie Beziat channeling Poly Styrene without being overly conscious of it. With songs like If You Love Me Take Me to the Hospital, The Prettiest Racist in Town, and Orgy on the China Train, it’s apparent these guys have their heads in a lot of unseemly places, but not up their own butts.
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New York artist James Jean doesn’t need any introduction. But, just in case you haven’t seen his work yet, take a peek now. And forever be in awe. We caught up with him recently in his studio and asked him about the props for his daily inspiration: ‘Sometimes I’ll have my laptop setup next to my work station so that I can listen to audio books, the radio, or have videos playing in the background. But mostly inspiration comes from books and magazines’. Read more
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When I first moved to London and didn’t know a soul, I joined up with the British Film Institute [BFI] and started going to the talks they put on. When I went to see Gene Wilder speak, all the know-alls in the audience kept asking questions, not to find out anything, but just to show off to the room how much they knew about film making. He got annoyed. Genius boy genius.
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Hong Kong-based illustrator Man-Tsun draws dark and beautiful painterly images that look like they are straight off a high-end Japanese animated film. Read more
Good thing Kris Kuksi channelled the trauma of growing up with an alcoholic stepfather, his disdain for ‘the typical American life and pop culture’, and his fascination with the macabre into obsessive, baroque assemblages, paintings, and drawings. Read more
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We’ve just updated the Lost At E Minor iPhone app in the iTunes store with some new features. It’s a daily snapshot of the latest content from the site. You can download it now. Win? Well, it’s free. So you win, we win. Snap!
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