Brown Wing Overdrive

WE'RE SUPPORTING

Timo Stammberger studied photography at the Ostkreuzschule in Berlin. His work is based around around urban culture. Through it he allows the viewer to see what is not clearly visible or quickly overlooked in everyday life. For his Underground Landscapes series, Stammberger photographs with or without permission the subway tunnels of Berlin, New York, Lisboa and Stockholm. Read more

WE'RE TRAVELLING TO

Sydney is not as well known for its great bars as other Australian cities. The city centre is dominated by over-priced style bars, while the suburbs are ruled by beer barns overflowing with terrible music, pokies, and sports. Nestled in the back streets of Surry Hills, surprisingly close to the city, The Cricketer’s Arms bucks the trend, with an open fire-place, great contemporary music selection, comfortable couches, a cosy outdoor area, decent food, free board games, and the laidback vibe that’s now all too rare in Sydney. [pic via Time Out Sydney]

WE'RE WEARING

Converse kicks off its hundredth anniversary with 1HUND(RED), a special artist series with proceeds going to the Global Fund. The project is a year-long release of shoes designed by notable artists, including Auckland-based illustrator, Dennis Juan Ma, whose shoe [above] is number twenty in the series.

WE'RE THINKING

Sculptor Richard Stipl creates disturbing, gothic, vaguely religious tableaus using hyper-realistic, resin casted figures that quite often are engaged in some bizarre behavior, covered in blood, leaking gore, or otherwise frozen in some horrific pose. A friend of mine said, ‘If you’re going to develop that level of skill, why would you use it to make such ugly things?’ I kind of like gross things, though, so it doesn’t bother me. Read more

WE'RE READING

We’ve invited some of our favorite creative peeps — including Ben Lee and artist Sam Weber — to write posts for Lost At E Minor over the past few months about their favorite cultural things and people right now. Read more

Lasse Gjertsen is the future of cut and paste music. He’s just arrived ten years too early and with a really bad haircut.

WE'RE LISTENING TO

Japanese artist Toshiya Tsunoda’s field recordings will blow your mind without blowing your eardrums. By placing sensitive microphones inside empty objects, such as bottles and hollow logs, he captures vibrations inaudible to the human ear. Layers of these sounds are artfully cut and composed to produce brute, mesmerising work that challenges our perception of music. Read more