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WE'RE SUPPORTING

My background is in street art and there are a lot of people historically who I’ve really liked. But in terms of new people, I particularly love the work of Brooklyn artist Judith Supine. It’s a surreal combination of old engraving art mixed with hand-drawn and painted images. He does paste up posters, but they’re not just square, they’re cut-out shapes of these interesting looking characters. The closest thing I could compare it to are the Monty Python animations. Read more

WE'RE TRAVELLING TO

As a child, I took piano exams in over-sized white rooms, on baby grand pianos that felt unfamiliar and echoed strangely as someone across the room observed me in silence. It felt clinical, intimidating and completely devoid of warmth. Last week, I started noticing upright pianos, some painted haphazardly, others respectfully untouched plonked in the most unlikely places throughout Sydney. There was one on the edge of the baby pool at the local swimming pool, with a young girl in a rainbow striped dress tapping out a happy but disjointed melody; another shaded under a tree at the park on the way home. Read more

WE'RE WEARING

Forget Macy’s, Bloomingdales and all that: Army Surplus is where it’s at. Half my wardrobe is from Army Surplus. Read more

WE'RE THINKING

Legend has it that Paul McCartney hated the line from Hey Jude – ‘the movement you need is on your shoulder’ – so much that he was going to scrap it until his partner in grime John Lennon told him it was the best part of the song. So it stuck. Read more

WE'RE READING

TIME magazine’s annual Person of the Year issue is coming out this week. I illustrated one of the runner-ups, but of course, I have to keep my mouth completely shut. I don’t know who is the winner though. On TIME’s website, you can see all the past covers of this most talked about issue of each year. It’s a good time to look back history and learn from it anyway, don’t you think?

I spent the formative first six years of my life in Wellington, New Zealand, a beautiful windswept city framed by a magnificent harbour in one direction and a stunning collection of green, rolling hills in the other. It was here, on a return visit many years later and deep amongst the clipped accents and ruddy faces of the weather-beaten locals, that I stumbled upon the vast catalogue of the then Dunedin based record label Flying Nun. And what a roster of acts they housed — The Chills, The Bats, The Clean, Tall Dwarfs, The Verlaines, and my favourite guitar-pop band, Straitjacket Fits. Read more

WE'RE LISTENING TO

After getting lost in the quagmire that is the internet, M83’s Digital Shades, first released digitally in 2007, has just been given a space on the shelf in your nearest music shop. Before shooting to acclaim with Saturday=Youth, Anthony Gonzalez looked closer to Krautrock and Eno and produced this ambient sometimes beautiful record. There’s much less of a disco feel than both Saturdays and his first album, Before the Dawn Heals Us. Some might say it’s a bit self-indulgent, not easily accessible, and more of a soundscape than a pop attempt. Yet, like Eno, Gonzalez is slowly becoming a master of the perfect chord sequence, and the result is an interesting, often heart-wrenching, set of compositions. Read about M83’s favourite songs right now.