Skagen mesh watches

WE'RE SUPPORTING

Hindu, Greek, and Buddhist mythology informs the work of Brooklynite Chitra Ganesh, who makes cryptic, surreal sculptures, murals, installations, multimedia drawings, and photography that draw from Indian comic books, Bollywood posters, and other ephemera of South Asian culture, as well as 19th century portraiture, anime, and the standard touch stones of a globalized psyche. The absurdity and sexuality of her work present the war between modernity, tradition, and nationality over the idea of femininity – her figures are almost entirely female, and watchful, menacing eyes are a common motif in her work. A lot of her stuff is reminiscent of Raymond Pettibon, in a good way. Read more

WE'RE TRAVELLING TO

In a world filled with conceptual environmental architect, Lost in Paris, designed by R&Sie Architects for a so-called ‘urban witch’, is the definition of innovation and resourcefulness. The 1400 square foot home is engulfed by 1200 ferns and 300 glass-blown pods. A potion of rainwater and plant nutrients are fed to the pods, which in turn feed the ferns, drop by drop, during the year. And because the home is entirely covered with the plants, it is protected from outside weather and the interior temperature is regulated without use of traditional methods.

WE'RE WEARING

is it TooLate? Is it? Never! This Italian-made watch has a beautiful minimal design, comes in lots of colors, is water proof and goes for less than $30. Hot damn! 10,000 of them were sold in the first ten days after their release and half a million in it’s first year of distribution. Apparently the Italians are wearing two or three of them together as part of some bizarre fashion clique. Wonder if the rest of the world will catch on?

WE'RE THINKING

Excerpt from an as yet unpublished screenplay, My Reason To Be, in which a mature and inquisitive child seeks relief from the pressures and pain of his daily existence on the trains of Paris. Read more

WE'RE READING

This one-stop shop for all things eco-friendly is proof that protecting the environment is becoming a popular pastime. Almost every material category that comprises our society, from design to celebrity to transport, is looked at through a green lens. They’re ranked number twenty-two on Technorati’s list of 75,000,000 blogs, and even Daryl Hannah is singing their praises. Why? Its writers, they claim, ‘have the ability to take topics that most of us snoozed our way through in school, and make them the addictive juicy, green bits that they are’.

I ran a series of 80s nights in New York last year — showing cult 80s movies and playing classic cuts from that era of kitsch and spice — purely so I could spin After The Fire’s Der Kommissar over and over. Yessir, this was the future of music in 1983. Pity no one was listening.

WE'RE LISTENING TO

Austin-based Future Clouds and Radar, the eclectic art-pop ensemble headed by Robert Harrison, has recently released its sophomore recording, Peoria. Where their self-titled debut album showed Harrison as the central figure in a large musical cast, Future Clouds and Radar’s latest offering finds the core band focusing their kaleidoscopic vision into a single cinematic narrative about the illusory nature of mortality. Throughout, Harrison stays true to his genre-hopping eclecticism, leading the journey through a maze of fuzz-box vocals and ethereal keys.