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WE'RE SUPPORTING

Aurel Schmidt’s intricate drawings make me want to start a band just so I can use it as album art. The DIY-outsider tack many artists have taken of late has produced some art that makes you think ‘I could do that’, but Schmidt’s work is inimitable — her rendering of hair must make other artists furious with envy. Read more

WE'RE TRAVELLING TO

One of the things that hotels, and international hotel brands in particular, are often criticised for is a lack of identity, the feeling of being somewhere but nowhere simultaneously. However, this doesn’t have to be the case. One of the emerging trends in the industry is the personalization of hotels around a style or a theme, so feast your eye on 7 of the coolest and most individual themed hotels from around the world! Read more

WE'RE WEARING

Knit you and your sweetie a smitten this Valentine’s Day and marvel at the droves of strangers that will vomit at your feet.

WE'RE THINKING

I love the subtle colour palette and the beautiful, vibrant dynamics in the work of New York-based designer, Adam Chang. His designs are full of character, tiny fragments of otherwordly visions. Read more

WE'RE READING

We spoke to Dopepope about his latest Metal Man Project: ‘In the fifth grade, I drew a comic called Metal Man about a humanoid robot that went crazy and pulled knives on people. It’s the most ridiculous thing ever. I was a kid! Anyway, I found the artwork and simply traced the head and the logo exactly as I had them and fell in love with the iconic shapes they’ve created’. Read more

I ran a series of 80s nights in New York last year — showing cult 80s movies and playing classic cuts from that era of kitsch and spice — purely so I could spin After The Fire’s Der Kommissar over and over. Yessir, this was the future of music in 1983. Pity no one was listening.

WE'RE LISTENING TO

Hotly tipped by a handful of soothsayers to take 2009 by storm, Trembling Bells are an altogether different and refreshing musical experience to much of what seems to excite people at the moment. On first listen, it’s fairly easy to ignore — one could casually shrug it off as some limp take on Scottish baroque folk. Yet, there is something more to it. Rarely do you hear that high-pitched, warbling voice in mainstream music. Likewise the marching band cacophony going on in the background is both daring and highly intriguing.