
Li Wei
At first glance Li Wei’s photographs seem to come from either digital gimmickry or are the work of a suicidal madman. But Wei is neither. He’s just fascinated with his environment. His stunning visuals are composed with the help of strategically positioned wires, mirrors and his own athletic prowess. Since stumbling into the art world at the turn of millennium he has grown increasingly prolific, exhibitions regularly all over the world.
Tagged: Li Wei
Also by DONT PANIC

Horses are a recurring for Isabel Rock. Pastel colours, gnomes, glitter and unicorns adorn other pieces. But this light-heartedness is balanced with dripping illustrations, gushing elaborately in swirls and fat blobs. Block color and a feel for excess hint at the distraction of love, yet darker undertones of struggle and conflict exist.

Kate MccGwire graduated from the Royal College of Art in 2004 and has since exhibited all over London, winning a solo show at 2009’s Heart of Glass. Her most recent installations are taken from thousands of pigeon feathers, flowing water and even a mouldy growth on a wall. We asked her why she uses pigeon feathers: ‘I’m currently using pigeon feathers as they come from a bird that is generally reviled — regarded as vermin and referred to as “rats with wings”. I started to collect pigeon feathers that moulted from the birds in a shed next to my studio. I realized that they were actually very beautiful’.

Johnny Kelly designs the Don’t Panic poster
The latest Don’t Panic poster artist to create free art for your walls is Johnny Kelly, who drew on the theme of Democracy. Rather than just opening Illustrator and vectoring out something about Obama and his dog, Kelly created a super-detailed paper sculpture of the human head as a giant machine, and then photographed it. Of the project, he says: ‘The model was first sketched out a number of times in my notebook. Once that was fully worked out, I planned out the model more rigidly on computer, then got cutting. After everything was stuck into place, my friend Linda Brownlee — a photographer — came over and shot it with a Hasselblad camera. The actual model is A1 in size, so we needed to shoot it on film rather than digital to make sure we could capture as much detail as possible’.
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