Kalup Linzy
It’s tempting to dismiss Kalup Linzy’s low-budget, gender-bending schtick as fodder for guilty, white curators with outsider art fetishes, but the deftness with which he lampoons black and queer stereotypes through his intricately rendered world is both genuinely entertaining and artistically impressive. Linzy’s characters are lovable yet unnerving for the cultural taboos they make the audience confront — like the personalities that populate John Waters’ films, they make the audience squirm while wryly asking for (but not necessarily expecting) empathy.
Tagged: Kalup Linzy, New Photography, outsider art
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Josh Millard — self-proclaimed computer geek, creative type, and Metafilter admin — has been posting useless fliers around Portland, printed with silly one-liners that play with the interactivity of the format.
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