Emily Valentine Bullock

WE'RE SUPPORTING

Iraqi-American artist Wafaa Bilal spent an entire month living in a Chicago art gallery where he had rigged a webcam and remote controlled paintball gun which visitors online or at the actual gallery could use to shoot at him. The piece highlighted the danger everyday Iraqi citizens face both in terms of actual violence and the vitriol generated by the controversial and geopolitically convoluted war. The experience re-triggered the post-traumatic stress disorder that Bilal had acquired in his home country. The installation as well as his life as an activist, artist, and refugee are documented in his book, Shoot An Iraqi: Art, Life and Resistance Under the Gun.

WE'RE THINKING

Greg Brotherton creates his sculptures by transforming such common-place objects as vacuum cleaners, mixers and cars, into fantastic interpretations of myth and imagination. With an innate sense of structure and balance, Brotherton crafts surprisingly organic shapes using steel, glass and wood. The strength and fluidity that dominates both his figurative and abstract work is dictated by the process and evolves from a subconscious mechanistic state. Read more

WE'RE READING

We’re launching a new email newsletter in a few weeks time called My Secret Playlist in which a different guest musician each week will write about eight songs that they’re loving right now. Read more

WE'RE TRAVELLING TO

On the roof of Bangkok’s Banyan Tree Hotel is a dining experience like no other. The Vertigo Bar sits sixty one floors up, and serves delicious gourmet meals and cocktails. These are expensive by Thai standards, but cheap enough for shoestring travellers to indulge in now and then (a cocktail costs around AUD$12). I’ve spent hour after hour in the bar, drinking and smoking and taking in the amazing view. Most nights at Vertigo end the same, with fast-moving storm clouds rolling in without fail at about eleven pm. While wait staff scurry to move tables, and drunken diners navigate the steep stairs down to the safety of the hotel, the more hardy can sit and watch the clouds race closer and closer towards the building, soaking in both the atmosphere and the rainwater until the lightning gets too close for comfort.

Sufjan Stevens creates autistic music for introverts — soft, shy, naive, full of shadows, windows, and insecurities. Yet it all sounds slightly forced, his enigmatic songwriting as comforting as it is unsettling.

WE'RE WEARING

Derrick R. Cruz has channeled his talent for creating densely detailed works into the creation of the brand Black Sheep and Prodigal Sons. Fuelled by the New York city art and fashion scene, Cruz’s pieces are timeless but relevant, and beautifully detailed in their imperfections. They combine gold, silver, resin and bronze to create dark but wearable art.

WE'RE LISTENING TO

There’s a world-weariness about Two Gallants frontman Adam Stephens. It reveals itself in the Tom Waits-like raspiness that permeates his gin house drawl and in the talkin’ blues narratives that he weaves around his simple acoustic fingerpicking. They are the new superstars of the West Coast scene, majestic showmen in homespun rags.

Listen to the Two Gallants track, The hand that held you down.

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