Jenny Wicks’ Root Ginger series

WE'RE SUPPORTING

Canadian illustrator Courtney Wotherspoon layers delicate image upon image to create the most captivating, colourful kaleidoscopes, an effect only enahanced by her trademark multimedia, everything-and-the-kitchen-sink execution. The result of this approach is particularly refreshing. We can rest assured that something wholly new and exciting will emerge from Wotherspoon’s studio each and every delectable time. Read more

WE'RE TRAVELLING TO

Sydney is not as well known for its great bars as other Australian cities. The city centre is dominated by over-priced style bars, while the suburbs are ruled by beer barns overflowing with terrible music, pokies, and sports. Nestled in the back streets of Surry Hills, surprisingly close to the city, The Cricketer’s Arms bucks the trend, with an open fire-place, great contemporary music selection, comfortable couches, a cosy outdoor area, decent food, free board games, and the laidback vibe that’s now all too rare in Sydney. [pic via Time Out Sydney]

WE'RE WEARING

One Last Ounce is an experimental project exploring surreal imagery on an abstract cut. Says designer Jake Jelicich on his creative rationale: ‘I wanted to make thin, unique, comfortable tees that flowed and moved with the night. And I wanted the art to be dark, but sarcastic, mystical and inspiring, all in the same glance. These shirts are about long nights with good friends, being spontaneous, and letting the street lights guide you home’. Read more

WE'RE THINKING

Project Squadt’s latest skull-masked collectible figure is already sold out, but it’s worth taking a look at their site to be ready when they unveil the next one. I’m not much of a toy-freak, but these are still pretty nifty.

WE'RE READING

Monique Easton runs a blog called Baby Got Framed where she cataloges barely remembered evenings and cute hipster zombies. Read more

‘Lost’ is the most recent film production in the urban art series produced by Tokyo-based art crew Rinpa Eshidan. Read more

WE'RE LISTENING TO

There’s not much one can say about an artist who has recorded more than 400 albums — even if you manage to listen to a large portion them, there’s a good chance you’ve missed something. Good thing, as far as I know, R. Stevie Moore is the only person who has released that many records (Daniel Johnston may come close), many of which were cassette-only or printed in limited numbers. Virtually unknown for decades, the obsessive music geekdom that has reached a fever pitch as this generation of fans has allowed Moore to keep his relentless flow of Zappa-esque weirdness, power-chord pop, tongue-in-cheek ballads, satirical new wave, and whatever else we’ve most certainly missed, gushing out into the universe.