Joe Sorren

WE'RE SUPPORTING

Joshua Hoffine goes through all the work of creating make-up, special-effects, and sets that horror movie creators go through, but for single photographic images rather than entire films. Read more

WE'RE TRAVELLING TO

Almanac Market in Philadelphia is slightly pricey, but you definitely get what you pay for. Offering fantastic bread, cheeses, produce, and cured meats such as sopressata and pepperoni, it was a great pit stop when my band played in town, and definitely more economical and tasty than hitting a greasy spoon for road snacks.

WE'RE WEARING

These vegan designer bags from Matt & Nat are made out of anywhere between 15 and 55 recycled plastic bottles. It also uses no leather, which is a big plus given that according to the UN, raising cattle generates more greenhouse gases than all the cars and trucks in the world combined.

WE'RE THINKING

The limited and ripe deluxe booklet — The Bearded Lady — is the latest fruits of a collaboration between artists Sune Ehlers (Duudle to his friends and family) and Henrik Drescher.

WE'RE READING

We asked Ham and Pete, from New York band The Walkmen, to give us the rundown on the music that is inspiring them right now and they started off with a track from that elder statesmen of indie folk, Bonnie Prince Billy, Goin’ to Acapulco: ‘He did a remarkable job of putting a unique spin on a classic. It’s no small feat, and it’s a really impressive version’. Read more of The Walkmen’s Secret Playlist.

The Australian film collective behind the sci-fi spoof, The Time That Time Forgot, perfectly capture the look and feel of awkward, low-budget rip-offs from the ’70s — the psychedelic lighting, bad dubbing, and amazing hair. One almost wishes Italian Spiderman was for real. [more about Italian Spiderman]

WE'RE LISTENING TO

I had the pleasure of seeing Duran Duran play a few weeks back in the balmy drizzle of New York’s Central Park. I always thought the guys had more cheek than they were ever given credit for. But don’t be fooled! For a band so rooted in the immediacy of disposable pop, they wrote some timeless songs, none more so than The Chauffeur.