Chris Bianchi

Kerry Roper hearts Snickers

London-based illustrator Kerry Roper is fortunate enough to work mainly in the music and fashion industry. His art combines traditional illustration, photography and typography. He scored the lucrative Snickers campaign in America and has been featured in many books and magazines.

Typographic month in NYC

November is shaping up to be Typographic month in New York. On November 5 there’s the official opening of Lubalin Now — the inaugural exhibition at the newly re-located Herb Lubalin Study Center at the Cooper Art Union, featuring beautiful typography from the likes of Alex Trochut, Huntergatherer and Non-Format [featured above]. Read more

Raymond Biesinger

Pure graphic simplicity is how Canadian illustrator Raymond Biesinger swings. Employing various textures, typography and found elements throughout his heavily conceptual creations, Beisinger presents a wonderfully consistent body of work.

Isabel Rock

Horses are a recurring for Isabel Rock. Pastel colours, gnomes, glitter and unicorns adorn other pieces. But this light-heartedness is balanced with dripping illustrations, gushing elaborately in swirls and fat blobs. Block color and a feel for excess hint at the distraction of love, yet darker undertones of struggle and conflict exist.

Kate MccGwire’s pigeon art

Kate MccGwire graduated from the Royal College of Art in 2004 and has since exhibited all over London, winning a solo show at 2009’s Heart of Glass. Her most recent installations are taken from thousands of pigeon feathers, flowing water and even a mouldy growth on a wall. We asked her why she uses pigeon feathers: ‘I’m currently using pigeon feathers as they come from a bird that is generally reviled — regarded as vermin and referred to as “rats with wings”. I started to collect pigeon feathers that moulted from the birds in a shed next to my studio. I realized that they were actually very beautiful’.

Johnny Kelly designs the Don’t Panic poster

The latest Don’t Panic poster artist to create free art for your walls is Johnny Kelly, who drew on the theme of Democracy. Rather than just opening Illustrator and vectoring out something about Obama and his dog, Kelly created a super-detailed paper sculpture of the human head as a giant machine, and then photographed it. Of the project, he says: ‘The model was first sketched out a number of times in my notebook. Once that was fully worked out, I planned out the model more rigidly on computer, then got cutting. After everything was stuck into place, my friend Linda Brownlee — a photographer — came over and shot it with a Hasselblad camera. The actual model is A1 in size, so we needed to shoot it on film rather than digital to make sure we could capture as much detail as possible’.