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James Jirat Patradoon at the First Draft Gallery

Stranglehold, at Sydney’s First Draft Gallery, is an exhibition of new drawings and screenprints by James Jirat Patradoon, exploring his take on fantasy hyper-masculinity with portraits inspired by slasher movie villains, pro wrestlers, biker gangs, and Elvis. This series examines notions of deferred mascullinities: confused and misdirected rites of passage informed more by cartoons and action heroes than by reality itself. Drawn in a style influenced by the comics and cartoons of his youth, Jirat Patradoon’s images of fist-fights and tough-guy bravado consider the idea of violence as the purest form of masculine statement and its integral place in the male mythos. The exhibition opens on February 4.
james jirat patradoon
james jirat patradoon
james jirat patradoon

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Norman Saunders

Norman Saunders was one of the most celebrated pulp artists of the ’30s, ’40s, ’50s, and ’60s, with his images adorning the covers of thousands of comic books, dimestore paperbacks, and trashy men’s magazines. The Illustrated Press has just published a retrospective of Saunders’ work. Read more

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Rafael Grampa

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Sydney’s Laneways: By George! project

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The proof that birds compose tunes

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Moustache cufflinks

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Hanoch Piven at New York’s Society of Illustrators

Hanoch Piven, multiple award-winning illustrator, will lead a hands-on collage workshop for professional illustrators who want to free their inner child. Piven’s workshop will focus on the idea of playing intuitively with objects, maximizing trial-and-error and taking advantage of serendipity, which are all very useful tools to explore any creative medium. Piven is known for using ordinary objects to create striking celebrity portraits for such clients as Time, Rolling Stone, The New Yorker, The New York Times and Random House. The workshop takes place on Tuesday, November 10, between 6:30 – 8:30pm, and will be produced by Fernanda Cohen.

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Stephen Doitschinoff, aka Calma (a Lost At E Minor banner artist), recently opened a solo exhibit entitled Novo Mundo at New York’s Jonathan Levine Gallery. The Brazilian street artist’s work is somewhat unusual and exudes an appealing spiritual vibe as he embraces the fantastical and dark imagery of churches painted in female wombs. Calma has developed his own unique language and style through imagery that creatively blends Afro-Brazilian folklore with Baroque religious iconography. ‘I personally see the church as an archaic institution that always aimed to control the masses. I think it is an appropriate symbol for corrupt modern institutions like big corporations, media channels and governments,’ he Calma. Novo Mundo is on show through until December 22.


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The frontman for Sydney trailblazers, Paper Scissors, has just dropped his first solo EP under the alias of Pork Pies, and it’s an absolute beaut. Like the Paper Scissors’ more low-key numbers, there’s a real feeling of raw nostalgia running through the record. Jai Pyne’s distinctive vocals linger on your eardrums for a while after they’ve ceased, anchored down by a poignancy and sense of longing.

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When I did the Master Cleanse diet a few years ago — the one where you consume nothing but lemon juice, maple syrup, and cayenne pepper for ten days — I sat at work looking at pictures of food as if they were porn. Scanwiches would have gotten me hot and bothered like nothing else.

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Wolfmother. Rock n roll. Mystical lyrics. Heavy riffs. They have a new album out, Cosmic Egg, and we have five copies to giveaway, along with their debut album. To enter, tell us your favorite Wolfmother song and the city you live in. Yo! Two fingered salute. Read more

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