Kurt and Courtney are Sassy!

Golden Bear’s new EP, Everest

Having played South By South West over the past couple of years, Golden Bear have just released a souped up new EP, Everest, which sees the Texan rock band playing together like they would at a rehearsal or a show. Says frontman Chris Gregory: ‘I was a little anxious about being able to approximate the sound of our live show in the first place, but I figured to hell with it-let’s give it a shot. And I’m glad we did. There were no endless nights of playing the same song 150 times, no overscrutinaztion, and in all honesty, no hitches in the plan whatsoever. It was loose, rowdy, and rewarding, just like our shows’. You can download the Golden Bear track, All The Stars [listen below], for free via the Music Download section in the third column of the Lost At E Minor site.

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The Dark Was The Night compilation

The crew at 4AD, watching over perhaps the hottest artist roster of any independent label in the world, have put their collective minds together and come up with an album that holds every potential of being the finest release of the year. The formula is simple: you grab a batch of the hottest bands and artists around at the moment (take your pick from Arcade Fire, Yeasayer [pictured above], Bon Iver, Beirut, Sufjan Stevens; the list continues without the slightest dip in quality), throw in David Byrne for a touch of that priceless musical wisdom, quickly hammer together a few inspired duos, like Gillian Welch and Conor Oberst, or The Books and Jose Gonzalez, name it after a seminal Blind Willie Johnson track, and then get the brains behind one of the great bands of the last few years, The National, to produce it. Finally — take a deep breath — all the proceeds go towards the fight against AIDS. Dark Was The Night isn’t released until February 16th, but the scent on the wind is good. David Byrne and the Dirty Projectors’ opening track (listen below) is brilliantly fresh, while Yeasayer have channelled their wild spirits into a song textured as intricately as a Peruvian silk skirt, with a rainstick for effect.

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The music behind the new Howling Bells album, Radio Wars

The last time I caught up with London-based, Australian band, Howling Bells, was in New York in early 2007 when they played a show at one of the many seedy Lower East Side bars. Since then, they’ve recorded a new album, the aptly named Radio Wars [listen to their song, Treasure Hunt, below], a remarkable follow-up to their 2006 self-titled debut. I checked in with guitarist Joel Stein to find out what music the four-piece had been listening to around the time the album was written: ‘The Byrds’ Eight Miles High always sounds so futuristic to me. It has one of the best guitar sounds ever and really moves me with its color and power. Every time I hear the Tortoise track, I Set My Face to the Hillside, I instantly get transported to the ocean. Beautiful! Joy Division’s Isolation is incredible. I love the intro keyboard riff, in particular (the keyboard was self-built). It expresses urgency and truth. And then there’s Neu!’s Hallogallo, a truly inspiring instrumental track that I always want to go on for longer. Its fuzzy guitars are so warm and vibrant. Perfect!’ Read frontwoman Juanita Stein’s Playlist of inspiring songs.

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James Reynolds documents last meal requests

James Reynolds currently lives and works in London. He recently graduated from Kingston University studying Graphic Design. This series, Last Suppers, documents former Death Row prisoners’ requests for their last meal before execution. [see more photos at Feature Shoot] Read more

Thomas Straub

Paris-based Thomas Straub has worked as a photographer in advertising for the past fifteen years, with client including Piaget, De Beers, Yves Saint Laurent and Hennessy. Read more

Alina Rudya

Alina Rudya is a photographer living and working in Kiev, Ukraine. Of this series, Soviet Women Dreaming of Future, she says, ‘The full name of this series of self-portraits is Soviet Peasant Woman Dreaming of her Bright Capitalistic Future. I was born in the era of Perestroika and didn’t live during Soviet era that much. Nevertheless, my image abroad, no mater how hard I try, is always impacted by my Soviet background. People are either joking or seriously think, that I’m different because I came from Ukraine. Even my foreign friends jokingly call me red or soviet. I love traveling and I feel myself very cosmopolitan. But every time I’m applying for a visa to travel to EU I feel myself as a Soviet peasant woman who wants to benefit from Western capitalistic wealth. So I created this series, because I wanted to show the stereotypical exaggerated view of me in the West’. Read more