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WE'RE SUPPORTING

The loose linework and watercolors that mark the illustration of Victor Kerlow bring to mind several other well known editorial illustrators, but Kerlow is clearly doing his own thing. I love his White Sheik illustration, which he did for the New Yorker, in particular. The New Yorker, yes. It’s hard to believe this guy is only just about to graduate from SVA. We will most certainly be seeing more of him in the years to come. Read more

WE'RE TRAVELLING TO

Who says the Swedes have got a monopoly on seasonal ice hotels? This one in Kemi, northern Finland, is the world’s largest snow castle, standing seventeen metres high and with walls that are 1,100 metres long. It has restaurants, an art gallery, a hotel and a chapel. In fact, since opening in the early 1990s, it’s been quite a hit for tourists to get married at the snow chapel. Hmmm, now that would be a frosty start to any marriage. Read more

WE'RE WEARING

I’m not much of a jewelry guy, but if bling is in order, it’s ordered from my man Osa at Complete Technique. Originally from Japan, Osa is now based in Dumbo, Brooklyn and makes the finest metal jewelry, on par with any of his ancestor’s samurai swords. From speaker rings to turntable pendants, it’s all fresh and mostly music or hip-hop related. He’s been at it for about ten years and works harder than most people I know. If you need some jewelry, show him some love.

WE'RE THINKING

Kathleen Lolley takes a narrative approach to her folky paintings, using fairy-tale, fantastical, and mythological imagery to weave cryptic stories both imaginary and referential to her personal life. Read more

WE'RE READING

This odd, atmospheric animation by web artists Aaron Russ Clinger and Miltos Manetas is simple but effective, a finely rendered piece of interactive art. There are some pretty crazy things you can make the floating man do if you play around with this long enough.

I ran a series of 80s nights in New York last year — showing cult 80s movies and playing classic cuts from that era of kitsch and spice — purely so I could spin After The Fire’s Der Kommissar over and over. Yessir, this was the future of music in 1983. Pity no one was listening.

WE'RE LISTENING TO

Bay Area duo The Human Quena Orchestra sounds like a skyscraper falling in slow motion with their scraping, crashing, screeching drone pounded out of guitars, samplers, and circuit-bent electronics. Listen to their track Progress below.