Google Life
Google recently demonstrated their ability to predict flu outbreaks across America weeks in advance of the outbreaks themselves. It would seem that they are more than just a pretty search engine. And as if that wasn’t enough, they’ve now teamed up with Life Magazine, what was the cornerstone of photojournalism for the Twentieth Century, to digitize 95 per cent of their image bank that never saw the light of day. Now millions of photos stretching from the 1750s to the present day are available on Google Images at the click of a button.
Tagged: 1960s, 1970s, magazines, old photography
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Oh, the joy! When I was a kid, growing bigger amongst the winding roads and sandy beaches of Bondi, I used to love watching The Wombels on our tiny, beat-up TV. The theme song in particular was a blast. Perhaps Kanye could do a remix?
Analog electronics by British outfit Belbury Poly (Jim Jupp and Eric Zann) make me believe machines have souls and the ghosts of obsolete recording devices are haunting the dusty stacks of libraries debating the relevance of 60s avant-garde music and counterculture.
Lee Fields and The Expressions
You know what, it’s hard for me to care about 99.9 percent of new music out there when there are still guys like Lee Fields putting out records. The funk and soul legend appeared on countless classic tracks throughout the ’70s, but never had a proper album of his own until this year, when Truth & Soul released My World.
Also by FRANCIS ANDREWS
James Mackay’s Even Though I’m Free I Am Not
Award-winning photojournalist James Mackay’s latest project comes at a time when the world’s eyes are fixed on Burma and the trial of Aung San Suu Kyi. By photographing former political prisoners displaying the names of their colleagues and friends who remain behind bars, Even Though I’m Free I Am Not exposes the enduring pain faced by Burma’s opposition movement. Over 2,100 activists, journalists, lawyers and politicians languish in prisons across the country, and on Friday Aung San Suu Kyi will likely join them. Read more
The blind date of the food world has finally arrived, and it’s proving more palatable than the awkwardness of an evening spent in superficial conversation. Secret Supper clubs are springing up in the backstreets of London: what are attics and living rooms by day get converted into makeshift restaurants catering for an evening of surprise tastes and conversations. Read more
Young British designer Adam Farlie takes a leftfield approach to how people experience interaction with objects, often taking everyday items and toying with their potential to harbour deeper meaning and greater usage than first perceived. He transforms a bed into a ‘vessel that captures and contains the audio-memories of past occupiers through sound’, allowing those who lie on the bed to recall past intimcaties or conversations from years ago, while his take on a chest of drawers’ purpose of holding records of people is similarly intriguing.
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The music of UK group By The Fireside is an epic, sprawling, and ambitious sound. Read more
Several years after they disbanded, one of indie rock’s brightest sparks — Ambulance Ltd — are back. Read more
The limited and ripe deluxe booklet — The Bearded Lady — is the latest fruits of a collaboration between artists Sune Ehlers (Duudle to his friends and family) and Henrik Drescher.
On the roof of Bangkok’s Banyan Tree Hotel is a dining experience like no other. The Vertigo Bar sits sixty one floors up, and serves delicious gourmet meals and cocktails. These are expensive by Thai standards, but cheap enough for shoestring travellers to indulge in now and then (a cocktail costs around AUD$12). I’ve spent hour after hour in the bar, drinking and smoking and taking in the amazing view. Most nights at Vertigo end the same, with fast-moving storm clouds rolling in without fail at about eleven pm. While wait staff scurry to move tables, and drunken diners navigate the steep stairs down to the safety of the hotel, the more hardy can sit and watch the clouds race closer and closer towards the building, soaking in both the atmosphere and the rainwater until the lightning gets too close for comfort.
If animated wall drawings of severed heads and insect men ejecting their brains from their craniums is what people produce when they have too much time on their hands, then we should do their laundry for them and cook them dinner so they’ll have even more time on their hands.
The Hussy Summer 2009 Exotic Escape collection is up for viewing. I quite like the leather Zanzibar sandals for a stylish casual look that’s slightly sophisticated. While there are a few nice dresses in the new line, I much prefer the accessories and clutches. That’s partially why the rest of the globe has come to love this iconic Aussie label, right?
Bunnylicious transcends cuteness and takes bunny worship to a another level. Squirrels are so passe. Read more
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Karen Caldicott’s clay head models
British born, New York-based model maker Karen Caldicott has been making clay heads for all major US publications over the last decade. Read more
Yum, yum, cupcakes are fun. These creations are so clever, so arty, so damn bizarre that it would almost be a shame to eat them. Almost! Read more
Richmond-based graffiti artist Chip7 has a style that is at once urban and also vaguely tribal with their crude lines and rich patterns. Read more
Alex Passapera’s dizzying pen and ink drawings are cascades of images melting into one another, often looking like contorting, mutating creatures spewing blood-like ink splatters. Read more
Illustrator Timothy Karpinski sews painted paper together to create his images, giving them a classic look. Read more
Wolfmother. Rock n roll. Mystical lyrics. Heavy riffs. They have a new album out, Cosmic Egg, and we have five copies to giveaway, along with their debut album. To enter, tell us your favorite Wolfmother song and the city you live in. Yo! Two fingered salute. Read more
Using both highly rendered images and softer graphic design elements, Nate Frizzell weaves stories into his paintings that we all can see ourselves being a part of. Giclee print on Sommerset velvet archival paper 12”x20” in a limited edition of 25.
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