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WE'RE SUPPORTING

Until recently, Australian-born, New York based designer and illustrator Deanne Cheuk was the creative force behind the stunning and progressive visuals in art and culture magazine Tokion. We spoke to her recently about her eclectic work schedule. Read more

WE'RE TRAVELLING TO

This is my favorite place in New York to spend a Sunday afternoon. No, I’m not talking about Central Park. But rather, The Park, a restaurant in Chelsea which took its name from its past life as a parking garage. Read more

WE'RE WEARING

Swedish designer Paula Hagerskans has a cool masculine-edge to her female fashion lines. But it’s her attention to detail that really blows my mind. Her perfectly tailored jackets, along with her flat dress shoes, make dressing up fun, comfortable and classy. When asked what she keeps in mind while designing, Hagerskans responds, ‘Bohemic music lovers, humor, graphic design and the female body’.

WE'RE THINKING

Kathleen Lolley takes a narrative approach to her folky paintings, using fairy-tale, fantastical, and mythological imagery to weave cryptic stories both imaginary and referential to her personal life. Read more

WE'RE READING

DJ Spooky — That Subliminal Kid — is just about the deepest crate digger around, trawling the barrels of long-lost record stores for choice vinyl to spin in his wickedly dubby sets. He gave us the inside word last week on his eight favourite songs right now via our sister website, My Secret Playlist. This is what he had to say about Lee ‘Scratch’ Perry’s Panic in Babylon: ‘If there’s anything that the twenty-first century has told us, it’s that dub is the real original hip-hop. Lee Scratch even had to make it clear in 1965 by adding “Scratch” to his middle name. Take that, Grandmaster Flash!’ Read the rest of DJ Spooky’s Secret Playlist.

WE'RE WATCHING

Films involving characters faced with an impossible choice never make easy viewing, an example being the Nick Cave Australian gem, The Proposition. A nightclub manager, played with understated power by Joaquin Phoenix, is the victim here, and you actually feel truly uncomfortable as his predicament unfolds. Set in the 1980s, We Own The Night shows a real nostalgia for that period — particularly in the costumes. Read more

WE'RE LISTENING TO

Caught The Dust Dive the other night at Glasslands. They’re a bunch of hippies, but even I have to admit, they’re atmospheric live show – consisting of violin, gently strummed guitar, a few piano and sampler twinkles here and there, and sound samples from the found footage projected behind the band – is really powerful, like the warm rush of fond memories that hits you an instant before the mushroom cloud annihilates everything. Frontman Bryan Zimmerman even plays the musical saw, and you really can’t argue with that.

Listen to their track, Claws of Light.