Simon Brader

WE'RE SUPPORTING

New York-based photographer Michael Lavine took the iconic photo of Kurt and Courtney for the cover of Sassy magazine back in the early 1990s. We asked him to recount the story behind the shoot: ‘We shot the photos at my Bleeker St loft on the Bowery. I remember that my friends Andrea Linett and Janet Billig were there. I remember the ridiculous twelve foot silk lighting setup I used. I remember people having to go out and score dope. I remember Kurt telling me that the reason that he loved Courtney so much was that she was the only girl he knew that would stand up at a party and smash a glass table to bits just for the hell of it. I remember thinking that was a pretty odd reason to love someone’. There’s an extensive interview with Michael Lavine on the Feature Shoot website.

WE'RE THINKING

In my teenage years, I was a fanatical collector of Archie Comics, living my life vicariously through the mischevious misadventures of Archie, Betty, Veronica and the gang. Eventually I sold my collection to a high school friend, who bought several garbage bags worth of digests along with my prized Ozi skate deck. This vibrant artwork by Singapore-based designer Hanyi Lee takes me back to that time and I kinda wish that I’d kept the damn things, if only for a few more moments of saccharine sweet escapism within their apple pie, primary colour world.

WE'RE READING

There are few more joys an artist has in life than coming across great resources for inspiration. Lately I’ve been studying typography, the meaning of words, and then something as simple as trying to find all the ‘7 letter words’ I can so that it might fit into my latest musings. Read more

WE'RE LISTENING TO

Cloud Control have just unravelled a newly recorded track, Gold Canary, from their forthcoming 2010 album. It’s straight up pastoral Blue Mountains goodness. I actually heard it live earlier this year and it sounded quite rad.

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WE'RE TRAVELLING TO

New York-based Japanese artist Shusaku Arakawa designed this small apartment block in 2005 in the Tokyo suburb of Mitaka in conjunction with his poet partner, Madeline Gins. According to the SushiLog: ‘Painted in eye-catching blue, pink, red, yellow and other bright colors, the building resembles the indoor playgrounds that attract toddlers at fast-food restaurants. Inside, each apartment features a dining room with a grainy, surfaced floor that slopes erratically, a sunken kitchen and a study with a concave floor. Electric switches are located in unexpected places on the walls so you have to feel around for the right one. A glass door to the veranda is so small you have to bend to crawl out’. Read more

The Australian film collective behind the sci-fi spoof, The Time That Time Forgot, perfectly capture the look and feel of awkward, low-budget rip-offs from the ’70s — the psychedelic lighting, bad dubbing, and amazing hair. One almost wishes Italian Spiderman was for real. [more about Italian Spiderman]

WE'RE WEARING

On this Virgin Mary HaloTech watch, the dial is a modern version of the nineteenth century art form of lithophanes, carved porcelain sheets that, when lit, deliver astoundingly detailed images. When the pusher is activated, the dial springs to life in 3D. The watch features a light-up dial, LED light, and afterglo effect.