Erykah Badu

Numero Group’s Eccentric Soul Revue

chicago based label numero group do it right: their packaging, the selection, and the attention to detail are beyond the comprehension of any casual music listener. I had the pleasure of attending last April’s Eccentric Soul revue at Chicago’s Park West, and honestly, I had never witnessed anything like it before in my life. Read more

Tom Waits live in concert

There are probably only a handful of artists in the world now that are a genre unto themselves; so idiosyncratic that they get their own special unit in the CD rack. Such is the case with Tom Waits, who lies somewhere across the normally clear boundary between rusty, stripped down blues and a musical product of the nuthouse. What makes him so interesting is that the root of the music isn’t so obviously the influence of a batch of seminal artists but instead the crazed inner workings of his own mind, which he has managed to adapt and project onto a market now so polluted with squeaky clean, ordinary music. Read more

Beth Rowley

Twenty-six year old Beth Rowley hails from Bristol, England, but her smoky gospel style creates a beautifully mysterious impression of a dark diva from yesteryear, sashaying across a small stage to a packed crowd. Her debut album Little Dreamer is an enchanting mesh of country, blues and gospel that draws heavily on Rowley’s talents as a singer-songwriter. Indeed, Little Dreamer is the perfect soundtrack to a rainy Saturday afternoon, when you’ve got nothing to do but drink wine and sing along.

Ummm, Beyonce’s Single Ladies anyone?

It’s not surprising that the fifteen-year-old boy I tutor introduced me to this video. Spatial geometry and the causes of the Vietnam War gathered dust, as he made me view it numerous times, pointing out which girl was his favourite and why: the one on the left, because she’s hot; the one on the right because she is ‘hittin’ her moves’; and Beyoncé, because, well she’s Beyoncé. To be honest, after the first ten seconds of our first viewing, I became a very willing participant in the whole discussion. We talked about why Beyoncé’s pseudo-feminist lyrics sometimes annoy me (Jay-Z did ‘put a [HUGE] ring on it’) and which moves were our favourites (mine occurs at the 52 second mark, he likes the one at 1:32). Truthfully, I barely like this song, but this video is like nothing I’ve ever seen before. I wonder if we could cut the sound and get Sir David Attenborough to narrate it.

Children Collide interview

It’s hard to find a misstep on the full-length debut from Melbourne band, Children Collide. The Long Now doesn’t sound like a first album: its mature, yet completely varied sound and lyrical concept makes it feel like something you’d expect from a band on their third or fourth album (you know, after the ‘cursed’ second album). Children Collide are most definitely in control, something that could have been lost while working with big-name producer, Dave Sardy. It’s rare that you pick up a CD and feel like the band has decided on everything, right down to the artwork that encases their killer album. We threw guitarist-singer Johnny Mackay a few questions about how they managed to wrap everything up in such a … errr … tight little package. Read more

The John Steel Singers’ Rainbow Kraut video

I can say with an unwavering amount of conviction that kaleidoscopes are the greatest things ever invented. Well, one of them at least. Brisbane band, The John Steel Singers, take that statement and turn it into a super cool video for their song, Rainbow Kraut. I think Oliver Sacks would agree: phantom hands should always play keyboards.