Polina Zioga
Polina Zioga’s piece Under the Surface interrupted my Wednesday afternoon doldrums, consisting of mind-numbing admin duties that creep up on you after weeks of neglect, and swept me off to a land where I became a Mermaid. A Mermaid Princess, if you will. In this beautiful underwater world that I created in my mind, I have all the state of the art materials to show off my new cloister. The pink seaweed marsh that I welcome my honorary fishy friends to swim through when entering the grounds is made of a fine material that comes from the Indian Ocean region, where the coral reefs are considered gold. Eco friendly, of course. The purple and yellow ground-globs are actually a new form of sea sculpture: a jelly fish by the name of Sarge and a good friend of Poseidon. I want to thank the artist and art in general for relieving me from an afternoon of tedious repute and reminding me that inspiration, aesthetics, and imagination are necessary. André Malraux explained it perfectly when he said, ‘The greatest mystery is not that we have been flung at random among the profusion of the earth and the galaxies, but that in this prison we can fashion images sufficiently powerful to deny our nothingness’. Or, in my case, allow me to procrastinate just a little longer.
Tagged: colourful artwork
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The artwork of Los Angeles-based Sarajo Frieden literally explodes out of the canvas, this challenging, confronting, colourful burst of shapes and textures, at once disjointed yet somehow perfectly in place. She says of her work: ‘The cacophony of hand-painted signs in a variety of languages serves as both inspiration and daily reminder that the ordinary is often extraordinary and nothing is what it seems. A host of disparate vocabularies from the worlds of fine, folk and decorative art, including Persian miniatures, Shaker trance drawings, Japanese ukiyo-e, and my Hungarian great aunt’s embroidery, can be found wandering through my images. I try to give form to the human experience as I see it’. Read more
Laurie Hogin takes a classical approach to painting mutant critters that snarl and menace through their cute, day-glo fur. If Victorian artists got in a time machine to the ’80s, watched Gremlins, bought some Hypercolor jam shorts, and went back to their home era, they might have generated images like these. Read more
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There’s some awesome new work up on New York-based illustrator, Sam Weber’s website, including this one above which is did for the Soulpepper Theatre. We asked him a little while back about what his studio workspace was like: ‘I am fairly particular about where I like to work, and what sort of stuff I like to have around me. There are things that I look at often — a book of Max Ernst collages, one on Yoshitaka Amano, and a big stack of clippings from magazines and the Internet that I will periodically leaf through to get inspired’. Read more
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Scanners’ new single Salvation
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Wheeeeee! This game is so freaking fun! You move your cursor over each dot to make them split into four smaller dots ad infinitum.
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