Helen Verhoeven

WE'RE SUPPORTING

Stephen Doitschinoff, aka Calma (a Lost At E Minor banner artist), recently opened a solo exhibit entitled Novo Mundo at New York’s Jonathan Levine Gallery. The Brazilian street artist’s work is somewhat unusual and exudes an appealing spiritual vibe as he embraces the fantastical and dark imagery of churches painted in female wombs. Calma has developed his own unique language and style through imagery that creatively blends Afro-Brazilian folklore with Baroque religious iconography. ‘I personally see the church as an archaic institution that always aimed to control the masses. I think it is an appropriate symbol for corrupt modern institutions like big corporations, media channels and governments,’ he Calma. Novo Mundo is on show through until December 22.

WE'RE TRAVELLING TO

The perfect balance between shiraz and parmesan is what came to mind when we met Nat Denning, a fashion retailer and Michael, a retail shopfitter, who have combined to create Fallow, one of Australia’s most stylish and unique boutiques. Read more

WE'RE WEARING

These antler pendants are hand-crafted, made in sterling silver, and brought to you by the talented kids at Fuzz Design. They are revolutionizing the way we view hunting and taxidermy: it just got a whole lot more fashionable! Why not wear a piece of reindeer around your neck this Christmas?

WE'RE THINKING

Hello, my name is Zolton and I’m a text addict. That’s right, an instinctive, compulsive plier of the trade, straight from the Michael Douglas school of confessional proclamation. Yup, I don’t care if it’s quick or protracted; if it’s a group message or one just for me. I’ll take that text any damn way you can give it. And if that’s a crime in these repressed, conservative times, then so be it. Just don’t strip me of my pride. Or my mobile phone. [illustration by Nathan Jurevicius]

WE'RE READING

The duo of Brendan Monroe and Evah Fan are one of those creative, powerhouse couples. Though two entirely individual artists, the influence they exert upon one another is subtle yet undeniable. Both create the kind of art that that makes you giddy with pleasure, while the lack of pretension puts you completely at ease. You get the undeniable sense that these are two people who simply live and breathe creativity and love every moment of it. Two amazing artists with a wholly individual take on life and the world around them. I had the pleasure to grill them both. Read more

This clip had such an impact on me when it first came out, back in the day. There’s just something so poignant about the idea that some people you pass on the street everyday have a little bit more insight into their world — our world — than we could ever imagine. It’s beautiful and confronting, and it’s all set to the most wonderfully evocative music.

WE'RE LISTENING TO

Where would we be without synths and drum machines? Probably still listening to Grateful Dead jams in the alleyways of Height-Asbury. Done well, the remix is a wonderful thing. Case in point is Royksopp’s rendering of the Kings of Convenience track I Don’t Know What I Can Save You From. And then there’s Riton’s version of the Mystery Jets song, The Boy Who Ran Away. A White Lines for the 21st Century? I think so.