Weston Teruya

WE'RE SUPPORTING

Brian Cooper’s almost Cubist yet trompe l’oeil paintings of boxes and architecture confuse depth and space rather like MC Escher, yet with a grittier, urban texture and detailing. Read more

WE'RE TRAVELLING TO

We asked some of New York’s more creative residents where they like to hang out in the city, and got a mixed bag of responses back. We’ll be running their insider tips over the next few weeks. This is illustrator Marcos Chin on his favorite arcade bar, aptly named … wait for it … Barcade: ‘Barcade is a time-warp into the 1980s when going to the arcade was the major past time for many of my friends and I. Lined throughout the space are a series of classic 25 cent video arcade games, like Q-bert, Donkey Kong, Arkanoid and Tetris. There’s also a pool table near the back of the space, and a terrific selection of beers to choose from. And yes, you can drink-and-play. It’s located near the Lorimer stop on the L train, at 388 Union Avenue, in Williamsburg’. Read more

WE'RE WEARING

The people at Nixon have created a simple but funky watch for those carefree days. The Time Teller P features a basic design made up of durable materials, spiced up with some unconventional colours. Read more

WE'RE THINKING

Dan Hiller mixes a gothic sensibility with a tribal roughness in his haunting watercolors and ink drawings of skulls and tree-headed figures. His mash-up of old Victorian engravings are simple but eerie, and have an almost logographic quality about them — they’re great tattoo ideas.

WE'RE READING

Our celebrity-saturated culture makes many of us irrationally hateful of the faces we see on our TV screens and magazine pages. Good thing there’s Celebrity PunchOut to let off some of that steam.

I remember the first time I saw a Mark Rothko piece at the Art Institute in Chicago. I’d only seen reproductions until that point, and I never understood why people considered the late painter so important. Read more

WE'RE LISTENING TO

Austin-based Future Clouds and Radar, the eclectic art-pop ensemble headed by Robert Harrison, has recently released its sophomore recording, Peoria. Where their self-titled debut album showed Harrison as the central figure in a large musical cast, Future Clouds and Radar’s latest offering finds the core band focusing their kaleidoscopic vision into a single cinematic narrative about the illusory nature of mortality. Throughout, Harrison stays true to his genre-hopping eclecticism, leading the journey through a maze of fuzz-box vocals and ethereal keys.