Trailblazers reach Sydney
|The controversial and multifaceted International contemporary art exhibition Trailblazers hits Sydney this month. Boutwell Draper Gallery will grace multimedia works by pioneering Australian, American and European artists from November 19 onwards. I’m thrilled to see groundbreaking pieces by Ben Frost, Kill Pixie, Copyright and Cleon Patterson [above], to name a few. The vast array of paintings, photography, sculpture, installation, video and digital arts is on display until December 13. C’mon, you know you want to culture your soul.
Tagged: installations, Sydney exhibitions
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I learned of the work of New York artist Katherine Mangiardi from the Merchant’s House Museum of all places. So appropriate. Mangiardi’s paintings of lace are unbelievably haunting, like the delicate, filmy fabric of a ghost, or like the painfully decaying lace of an antique dress. I also found her fabric installations at various historic museums around the East Coast rather beautiful. I find the idea of being able to set up an installation in a historic house pretty intriguing. Read more
This is at last the artist the 1960s was desperately trying to produce. Mark Dean Veca’s installations electrify galleries and museums with an ethereal pop ecstasy the previous generation only dreamed of. This is the drug we have all been waiting for. Read more
Also by MICHELLE WILDING
Flashguns’ I Don’t Not Love You acoustic van version
Flashguns are a killer British trio who just survived a break-up following the recent departure of keyboard player, Oliver Wright. I’m delighted the guys chose to run strong as a three-piece and recorded some acoustic sessions on the road while supporting Bombay Bicycle Club’s UK tour. Before you watch Samuel Johnston’s interesting van acoustic version of their single, I Don’t Not Love You, I suggest you listen to the studio version and Lagos Boys Choir remix [below] to get a feel for the track’s full glory.
Random collaborations always come as a pleasant surprise. This time New York-based graffiti artist KAWS (aka Brian Donnelly) has joined forces with lavish beauty product manufacturer, Kiehl’s, in a bid to raise money for non-profit art initiative RxArt. KAWS’ design adorns an exclusive line of Kiehl’s skin moisturizers, with all proceeds benefiting RxArt’s mission to install art pieces in US hospitals.
Kill Pixie’s Supreme Beings in Berlin
My fellow Germans — or anyone willing to fly to Berlin — should go check out the solo exhibition Supreme Beings by emerging Aussie artist Kill Pixie (aka Mark Whalen). His latest series of geometric paintings are on display at Berlin’s Merry Karnowsky Gallery until December 19. I’m particularly intrigued by Kill Pixie’s use of candy colours coupled with his depiction of masked puppet-like characters set in celestial and futuristic scenes. Supreme Beings meticulously ‘questions the games people are forced to play, reinterprets the universal human struggle and what will be necessary for survival in the future of our world’.
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Beautiful, delicate, fragile, a little bit collage, a little bit sketchfull. This is the work of Kelly Smith. Combining several mediums in a collaborative expose between pencil, paint and print to create timeless works of elegant splendour, it is easy to compare Smith’s works to the last snowflake of winter, fleeting but real, avoiding the brash bright mercantile world for the prettier climes of illustrative pleasure. Smith has a twelve-day exhibition on at the 696 Space in Brunswick, Melbourne, opening November 14.
Cambodian born photographer Frederic Chaubin is the editor of French magazine Citizen K. His photo series on bizarre buildings built in the former Soviet Union during the 1970s and 80s is absolutely fascinating. Read more
While I feel I am not alone in breathing a sigh of relief over this season’s purging of fluoro, in retrospect there was a lot to be learned from the experience: don’t wear all fluoro, or don’t wear fluoro at all. And we slowly trudged back to black, which, despite what other colors may think, will always be the new black. Read more
Ah, the joys of spending a seven-hour flight three rows up from a chronic snorer with a bad case of indigestion. It was like an episode of Grange Hill was unfolding before my very ears as the upper tier of a shiny new Qantas 747 was subjected to a series of unfavourably boisterous noises emanating from his general direction. Read more
From the cutting rooms of Dior through to the backstages of the Babyshambles, and even These New Puritans, it seems former Dior designer Hedi Slimane has seen it all. But his newly published photography concept book — Rock Diary — leaves me asking many questions about the symbiosis of fashion and music, especially the glorification of renowned drug addict Pete Doherty. Read more
Sydney indie heroes (in the nicest possible way), The Paper Scissors (TPS to those that know the secret handshake) have made a video for their new single, The Bandit. And it’s good. Damn good.
How can you not love a band called ¡Apeshit!? Their name says it all. I got to catch these guys tour at a warehouse in Bed-Stuy the other night as they were capping off their most recent tour, and even though there were only 20 or so people in the audience by the time they went on, their set was absolutely epic, culminating in frontman Pat Berran being hoisted up and subsequently dropped by the drunken, sweaty, and heavily tattooed crowd. If you love fast, spastic, intensely brutal punk, this band will make you crap your pants.
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