
Tinariwen
The Tinariwen album, Aman Iman, was a star among the many great releases of 2007, surprisingly so given the underexposure of world music in your average annual list of must-haves (even emo-warriors Pitchfork gave it a big thumbs-up). Their story is as intriguing as the music: hailing from the Tuareg tribe in Mali, they formed in 1982 in the rebel camps of Colonel Gaddafi. The lyrics, sung in French and Tamashek, are intensely political, focused largely on the struggle by Malians for independence from their government. The music is very spatial and, like Ali Farke-Toure or Amadou & Mariam, really evokes the size and ambiance of the African Savannah. Don’t be put off by the genre: it’s a very accessible sound, and the loosely-delivered vocals are simply mesmerising.
Tagged: world music
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The first album released by the Malian duo Amadou & Mariam, Dimanche a Bamako, bordered on exceptional, if not for its songwriting then for its sheer diversity. You’d be forgiven for approaching cautiously an album that draws its influences from Syria, Cuba, Egypt, India, and Colombia, as well as its own country – much like a restaurant that offers every cuisine on the planet: choose one and do it well, you’d argue. But the album is fantastic: so full of life, so catchy and so accessible. Read more
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James Mackay’s Even Though I’m Free I Am Not
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You see a man pondering life, but on closer inspection, realisation sets in, and what you actually notice is a sculpture covered in photography prints, creating a truer than life image of art. Gwon Osang is a Korean contemporary artist who has exhibited at the Manchester Art Gallery, among other places. He creates life-size sculptures of people, spending ample time researching his subjects and creating an inspiration for his works.
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Gerry said | 15 November, 2008
I saw these guys at Joe’s Pub last year. They’re amazing.