Alicia Keys and Jack White Bond theme
See, a video like this would confuse the Pussycat Dolls. It is a super hot-sexy video. But alas, no one is wearing skin-tight black latex pants, or skin-tight pink latex tops. I imagine them screaming at the television ‘where is all the skin! Skin!’ All five (or is it six?) Pussycat Dolls aside, this pairing is super cool. I love that Jack White finally got to do a Bond theme, and I think he’s done a great job on Another Way To Die. I also hear that he is going to work with Miss Keys on her next album. But for now we must be satisfied with watching this video over, and over, and over again.
Tagged: collaboration, soundtracks
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Ummm, Beyonce’s Single Ladies anyone?
It’s not surprising that the fifteen-year-old boy I tutor introduced me to this video. Spatial geometry and the causes of the Vietnam War gathered dust, as he made me view it numerous times, pointing out which girl was his favourite and why: the one on the left, because she’s hot; the one on the right because she is ‘hittin’ her moves’; and Beyoncé, because, well she’s Beyoncé. To be honest, after the first ten seconds of our first viewing, I became a very willing participant in the whole discussion. We talked about why Beyoncé’s pseudo-feminist lyrics sometimes annoy me (Jay-Z did ‘put a [HUGE] ring on it’) and which moves were our favourites (mine occurs at the 52 second mark, he likes the one at 1:32). Truthfully, I barely like this song, but this video is like nothing I’ve ever seen before. I wonder if we could cut the sound and get Sir David Attenborough to narrate it.

It’s hard to find a misstep on the full-length debut from Melbourne band, Children Collide. The Long Now doesn’t sound like a first album: its mature, yet completely varied sound and lyrical concept makes it feel like something you’d expect from a band on their third or fourth album (you know, after the ‘cursed’ second album). Children Collide are most definitely in control, something that could have been lost while working with big-name producer, Dave Sardy. It’s rare that you pick up a CD and feel like the band has decided on everything, right down to the artwork that encases their killer album. We threw guitarist-singer Johnny Mackay a few questions about how they managed to wrap everything up in such a … errr … tight little package. Read more
The John Steel Singers’ Rainbow Kraut video
I can say with an unwavering amount of conviction that kaleidoscopes are the greatest things ever invented. Well, one of them at least. Brisbane band, The John Steel Singers, take that statement and turn it into a super cool video for their song, Rainbow Kraut. I think Oliver Sacks would agree: phantom hands should always play keyboards.
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I consider myself lucky to have had the opportunity to revel in New Jersey artist Heejin Roh’s impossibly subtle graphite drawings in person recently. Roh is a fresh out graduate of the SVA Illustration Master’s Program, which had it’s annual student show recently. Having been so impressed with Roh’s work at the show, I was pleased to discover that her images translate so nicely into a tiny jpeg on my computer screen. I only wish there were more!
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A culmination of nearly four years of writing and recording, Omaha quintet, The Faint are preparing to release their fifth album, Fasciinatiion, on August 5 on the band’s own newly-formed label, blank.wav. Working without any time constraints, the songs went through many recorded incarnations before finding their final forms. The result is the best album in the band’s career, a record that is the purest culmination of The Faint’s brilliant musical instincts, ideas and aesthetic, with each member contributing equally to its creation.
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Created by graphic t shirt label, the-affair, and printed on beautifully soft American Apparel. Limited edition of 200.
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