Julian Beever

Robots Will Kill

Some cool work from Robots Will Kill, an arts site dedicated to exposure for artists and media often disregarded by the mainstream art world. The core collective of artists that makes Robots Will Kill run also work on murals, canvases, clothing design and various other artistic outlets. Read more

Street art in Zagreb, Croatia

MP5 + TO/LET are a collective of three girls from Rome and from Bologna who have been working on installations and graffiti since 2006. This graffiti was created in Medika, a new squat in Zagreb, Croatia. They were invited there for the Vox Feminae Festival, and this was painted in four days in the main entrance. Read more

Blu’s Everyday Handcuffs project in Berlin

Street artist Blu is back with a series of new videos highlighting his recent large scale wall art animations, including this one above: painted by Blu in Berlin during November 2008. Read more

James Mackay’s Even Though I’m Free I Am Not

Award-winning photojournalist James Mackay’s latest project comes at a time when the world’s eyes are fixed on Burma and the trial of Aung San Suu Kyi. By photographing former political prisoners displaying the names of their colleagues and friends who remain behind bars, Even Though I’m Free I Am Not exposes the enduring pain faced by Burma’s opposition movement. Over 2,100 activists, journalists, lawyers and politicians languish in prisons across the country, and on Friday Aung San Suu Kyi will likely join them. Read more

Secret Supper Clubs

The blind date of the food world has finally arrived, and it’s proving more palatable than the awkwardness of an evening spent in superficial conversation. Secret Supper clubs are springing up in the backstreets of London: what are attics and living rooms by day get converted into makeshift restaurants catering for an evening of surprise tastes and conversations. Read more

Adam Farlie

Young British designer Adam Farlie takes a leftfield approach to how people experience interaction with objects, often taking everyday items and toying with their potential to harbour deeper meaning and greater usage than first perceived. He transforms a bed into a ‘vessel that captures and contains the audio-memories of past occupiers through sound’, allowing those who lie on the bed to recall past intimcaties or conversations from years ago, while his take on a chest of drawers’ purpose of holding records of people is similarly intriguing.