Skull Ring Key USB

WE'RE SUPPORTING

I recently discovered Lauren Fleishman’s work while looking at an old copy of The Fader. After a visit to her website, I found myself especially captivated with her Indiana series. Here she talks about her experience shooting in this rural area and exploring the stories that hide beneath the surface. Read more

WE'RE TRAVELLING TO

I’d never before seen a museum where the building itself is the attraction more so than what is exhibited inside. Built by Daniel Libeskind in 1999, the Jewish Museum in Berlin is worth a visit even if you are not an architecture fan. Read more

WE'RE WEARING

We love the range of prints created by graphic-tee fashion label, the-affair. Each limited edition print is produced on beautifully soft American Apparel t-shirts, which is why we’re stocking a selection of their t-shirts in the Lost At E Minor online store. Read more

WE'RE THINKING

No I don’t dance. But heck I was tempted the other night. I was at a Foo Fighters gig, deep amongst the sweat-ridden bowels of a 20,000 strong crowd, with a mind-blowing laser show flashing above me and a band on stage so in the zone it was mesmerising. Read more

WE'RE READING

DM Stith recently signed to Asthmatic Kitty, the same label as Sufjan Stevens, and has a new EP out this week titled Curtain Speech, featuring contributions from Shara Worden (My Brightest Diamond), Rafter, Sebastian Krueger and the string quartet Osso. Think Animal Collective and Grizzly Bear meets Arthur Russell. We got the rundown from him on his eight favourite songs right now and he kicked off with The Shangri-Las’ Out In The Streets [listen below]: ‘1:22 – 1:43 is a miracle. I’ve never been so obsessed with twenty seconds of high-hat and high school girl shrieks: it’s a raging teenage fantasy that all the composition notebooks in all the lockers of 1965 couldn’t write better. That the singers have managed to preserve their naivety perfectly in this three minute song may be the reason I feel recording pop music is worthwhile’. Read the rest of DM Stith’s Secret Playlist.

The Australian film collective behind the sci-fi spoof, The Time That Time Forgot, perfectly capture the look and feel of awkward, low-budget rip-offs from the ’70s — the psychedelic lighting, bad dubbing, and amazing hair. One almost wishes Italian Spiderman was for real. [more about Italian Spiderman]

WE'RE LISTENING TO

Korean-born Okkyung Lee, who has found a niche amongst the regulars at John Zorn’s The Stone, makes intricate cello improvisations based on her classical and jazz training, following a path forged by the likes of Tom Cora, but veering off into her own stranger, noisier directions.