
Exclusive interview with The Faint
From the outskirts of Omaha, Nebraska, The Faint burst onto the scene with a genre defining album — Sine Sierra — in 1995. Since then they’ve released five more full length recordings (and a couple of remix albums for good measure), including their latest, the beautifully subversive Fasciinatiion, which is out now on Pod through Inertia. We interviewed keyboardist, Jacob Thiele: All I know about Nebraska is the endless farms and ranches. How well does a crunching blend of punk and electro fit into the environment there? ‘Quite nicely I think, mostly by being away from the coasts and ‘real’ cities, it has allowed us to create the kind of music we wanted to hear rather than the kind what might have been in our immediate surroundings. It is also a really cheap place to live, which alleviates some of the financial pressure of being in a band, so we can really put everything we have into the band rather than working all day to pay rent on a rehearsal space’.
Your sound went off in a whole new direction after Media, with heavy guitars replaced by synth and vocoders. Was it a mid-career crisis in the band or a natural progression for you guys?
‘Natural progression, we have never had the talk of “ok guys, how do we make our band cool?”. For most of us, this is our first band, so it took a little while for us to find our voice and to find out what interested and inspired us collectively’.
You self-produced the latest album. Did you feel the personal touch in the final stages was lacking in your previous releases?
‘Not necessarily lacking, but it seemed more appropriate with the material we had to stay on track with our own vision’.
Your sound caters for both the serious pursed-lip head nodders and all-out body gurners. Any signature moves you guys are busting out on stage?
‘Nope. Just letting our bodies do what they do’.
By the sound of it, Todd Fink has quite a preoccupation with the future. Anything coming around the corner that we should know about?
‘Oh, that is the question isn’t it’.
Download The Faint song, The Geeks Were Right.
Tagged: electro-clash, Nebraska
Also by FRANCIS ANDREWS

James Mackay’s Even Though I’m Free I Am Not
Award-winning photojournalist James Mackay’s latest project comes at a time when the world’s eyes are fixed on Burma and the trial of Aung San Suu Kyi. By photographing former political prisoners displaying the names of their colleagues and friends who remain behind bars, Even Though I’m Free I Am Not exposes the enduring pain faced by Burma’s opposition movement. Over 2,100 activists, journalists, lawyers and politicians languish in prisons across the country, and on Friday Aung San Suu Kyi will likely join them. Read more

The blind date of the food world has finally arrived, and it’s proving more palatable than the awkwardness of an evening spent in superficial conversation. Secret Supper clubs are springing up in the backstreets of London: what are attics and living rooms by day get converted into makeshift restaurants catering for an evening of surprise tastes and conversations. Read more

Young British designer Adam Farlie takes a leftfield approach to how people experience interaction with objects, often taking everyday items and toying with their potential to harbour deeper meaning and greater usage than first perceived. He transforms a bed into a ‘vessel that captures and contains the audio-memories of past occupiers through sound’, allowing those who lie on the bed to recall past intimcaties or conversations from years ago, while his take on a chest of drawers’ purpose of holding records of people is similarly intriguing.
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Returning to Hong Kong after graduating from The Royal College of Art inspired artist Mimi Leung to create the series The Hope and Struggle. Motifs such as disease, mutation and vomit help convey the tensions of life in Hong Kong and the need for self-expression. Read more
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Abstracted geometric forms, peculiar clockwork pieces, and a sense of childhood play; I can’t quite pinpoint why I love the jewellery designs of Sydney creative, Elke Kramer, but I do know that her jewellery is unique and off-beat, yet widely accessible and wearable. Read more
I’ve had bloodsuckers on the mind lately, which is better than having them on the neck. But that’s a different story altogether, and not one I want to contemplate on this windswept Brooklyn evening with the moon hanging low and the faintest quiver of mid-Fall chill sending all little creatures scrurrying for the shelter of their urban brick palaces. Read more
The uber-hip French producer M83 has compiled a Secret Playlist for us in which he props Brian Eno, Julee Cruise, and Tears For Fears’ Head Over Heels: ‘This song was the biggest influence for my new album. Our track, Kim and Jesse, takes a lot of inspiration from 80s bands like Tears for Fears. This is one of my favourites’. Read the rest of M83’s Secret Playlist.
History is the story of the winners, and western dominated culture recounts few triumphs from the east. Mongol is an effort to correct this balance, and the eastern influence is evident in much more than just the storyline. It is more like a fairy tale or legend handed down through generations, than based on fact, with mythical elements playing a major part, and the character’s motivations remaining simple. Read more
London-based DJ, Kelpe, has just recorded a diverse electro mix for the Allez Allez blog, which you can download, turn up to eleven, and nod yo’ head to. It’s just the tonic for an early afternoon kickstart.
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