Brandon Boyd’s ectoplasm

WE'RE SUPPORTING

Shelby Fischer is a mixed media artist living in Central Virginia. Her work is beautifully realised, laborious in its detail and subtle in its colorings. ‘My mixed media collages and assemblages blend surrealism with otherworldly imagery’, she says. ‘Each work is a fragment of an intuitive story — odd and mysterious narratives that are familiar echoes of a long lost, often twisted fantasy or nightmare’. Read more

WE'RE THINKING

Employing a whole gamut of textures and mediums, London-based illustrator Gwen Lee creates perfectly spontaneous black and white drawings that really hit the spot.

WE'RE READING

We love sex in art. No, not in a smutty Benny Hill kinda way, but rather the way in which Australian-based website Sex In Art takes a healthy peek at all things arty and well … sexual. There’s some beautiful illustration work up there and some evocative photography. Heck, I’m getting a little hot under the collar just writing about it. While most of the work they feature is work friendly, some of it isn’t. Still, it’s worth more than a casual glance, like this painting by Chinese artist, Guan Zeju.

WE'RE TRAVELLING TO

New York-based designer, and sometime Lost At E Minor contributor, Deanne Cheuk visited Beijing prior to the Olympics as part of the New Grand Tour. We touched in with her to see how she found the experience of being over there: ‘we visited some really modern art galleries, which seemed to be on par with with the best galleries in New York City’.

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Oh man! If I was twenty again, a jumble of nerves and a well of electric energy, I’d be in the front row for every damn MGMT gig. Read more

WE'RE WEARING

On this Virgin Mary HaloTech watch, the dial is a modern version of the nineteenth century art form of lithophanes, carved porcelain sheets that, when lit, deliver astoundingly detailed images. When the pusher is activated, the dial springs to life in 3D. The watch features a light-up dial, LED light, and afterglo effect.

WE'RE LISTENING TO

I haven’t bought a CD in a while but I was strolling down Wellington’s Cuba Street looking for a bit of inspiration the other day when Liam Finn’s music tapped me politely on the shoulder and dragged me into the music store. Liam is New Zealand music royalty, of Neil Finn descent, although — with his wild hair and beard — he’s looking a bit more like a young Jesus these days. The record is made with the help of an analogue loop machine, and you’ll find the kind of stunning instrumental crescendos that I haven’t heard since The Beatles Hey Jude. He engages emotionally and spontaneously, with both skill and showmanship.