Juana Molina
by I caught this Argentinean musician play in a church in London last Sunday evening, and as the first few bars echoed around the hall, I couldn’t really think of a better way to finish off the week. The sound and the setting were seamlessly joined at the hip, as if she alone took the place of the hordes of choristers that normally fill the church. Molina has mastered the art of looping and layering, both vocally and instrumentally, and so her and the two backing musicians treat their audience to a sound that is almost orchestral in its size. Yet the music is somehow still very soporific, low key and, ultimately, unusual. She’s not bent on melody — it may not be immediately accessible given the very deliberate lack of poppy hooks in the music — but draws the listener into a trance-like state through repetition and the absence of any climax. The performances are quite mesmerising; perfect for those looking to lose themselves for a bit.
Tagged: London concerts, pop music
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