Places / Two Americas
There are two Americas: one which strives to create its own culture, music, and art with a strong sense of ethics in mind, and another that drinks 32-ounce energy drinks before waiting on line to get into a club packed with women trying to get back at their overbearing fathers, and homophobic men with a fondness for Axe body spray. How do we bridge the divide?
Also by GERRY MAK
New York and Zurich-based artist Urs Fischer’s entropic sculptures and installations blows apart people’s expectations of what to expect at a gallery. Last year’s installation, You, at Gavin Brown was a 38-foot-by-30-foot crater dug into the gallery floor. His huge, ambitious works seem frantic and impulsive despite the immense planning and meticulous execution they often require. His mockery of physics, and the enormous scale and shock-and-awe quality of his work suggest the god-like potency of an artist, at least within a gallery space. Read more
Design company BrandImage has just come out with their line of paper water bottles made out of renewable resources. The bottles themselves are recyclable, and while not as reusable as a plastic bottle, can still be reused a few times. These are cool designs, even if they still pander to our on-the-go, single-serving, throw-away culture. Their environmental friendliness is also dubious, considering most people will still choose to throw these things in the trash rather than taking the time to find a recycling bin.
Very few band reunions get me excited, but I’ve consistently loved Faith No More since I was 13. I loved their pre-Mike Patton era, I loved King for a Day, and I even loved their track with Boo Yah Tribe on the Judgment Night soundtrack. Kerrang recently hinted that a FNM reformation is in the works for ‘09, and though bassist Billy Gould has emphatically denied the rumors, the general consensus is that the reunion is on.
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Artist James Benjamin Franklin has been brightening up every Saturday for me over the past month or so, accompanying an ongoing story by Laura Lippman in the New York Times Magazine. I really dig his simple, slightly surreal, minimal style, emphasizing folksy figures with clean spare detail and beautiful Milton Avery-esque palettes. Read more
Every now and then you encounter a band whose sound cannot be confined to CD, Vinyl or a MySpace Music Player; a sound so incredible that it must be experienced first hand, in the flesh, where it can do some well-deserved damage to your eardrums. Sydney’s Dead Farmers are one of these bands. Read more
Brian Bress is my art obsession at the moment. I recently saw his show at the LFL gallery in New York, and his collages and photographs were so striking, modern and funny that I couldn’t stop staring at them.
From an artist selection of t-shirts comes this limited edition David Bray illustrated silkscreened tee, distributed in a vinyl sleeve with a biography of the artist on the back of the sleeve. Every t-shirt is numbered and signed by the artist, and comes in organic American Apparel cotton. We like! Read more
There’s something quite captivating about the muted tones and soft textures of Anna Fraser’s photographs. The Australian designer has a very precise sense of framing, which is reflected in the slightly insidery, but beautifully balanced perspective that her work provides on places and scenery that only few people ever get to experience. By her own admission, Fraser ‘prefers things that are not usually very fashionable. Like beige, lots of beige and maybe a bit of taupe’. We think she might be onto something. Read more
Leave it to perennially crunchy Portland, Oregon, to open the world’s first vegan strip club. Read more
DJ Spooky — That Subliminal Kid — is just about the deepest crate digger around, trawling the barrels of long-lost record stores for choice vinyl to spin in his wickedly dubby sets. He gave us the inside word last week on his eight favourite songs right now via our sister website, My Secret Playlist. This is what he had to say about Lee ‘Scratch’ Perry’s Panic in Babylon: ‘If there’s anything that the twenty-first century has told us, it’s that dub is the real original hip-hop. Lee Scratch even had to make it clear in 1965 by adding “Scratch” to his middle name. Take that, Grandmaster Flash!’ Read the rest of DJ Spooky’s Secret Playlist.
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People are always looking to push the boundaries of street art, perhaps fed up with seeing the same (wild) style of graffiti over and over again. So, like Blu and Dan Witz, Julian Beever came into our lives like a breath of fresh air. His work is stunning, mind-boggling stuff: he manages to create a world ‘inside’ a pavement with his 3D pastel illustrations, tricking the eye into believing a dimension exists right below our very feet. Read more
Alison Malone on her Daughters of Job photos
A couple of weeks back we featured the work of New York-based photographer Alison Malone, who went into the secretive environment of the Job’s Daughters to photograph the girls who are direct blood relatives of the Master Masons. This is the second part of that interview. Read more
Download the new Michna album, Magic Monday
The media world is firmly embedded in the twenty-first century digital revolution, so we thought we better keep up with the times. Read more
James Jean on the work of Rob Sato
We asked Californian artist, James Jean, to tell us about an emerging illustrator whose work he loves right now. This is what he had to say: ‘Rob Sato offends me. Read more
Kristin Baker’s paintings strike the eye like massive Hollywood blockbusters, but have the elegance of delicate watercolors. Read more
We have a stack of CDs and DVDs to give away to a lucky new subscriber who signs up to receive our free weekly email publication between now and New Year’s Day. There’s 50 new CDs in the pile, along with a handful of DVDs. So sign up now and leave a message here telling us what album you hope will be in the pile!
Australian illustrator Moofus is just 11 years old. As he says, ‘my mum and dad won’t let me leave school to get a proper job, so I draw lots of pictures’. This limited edition print of Sydney’s Coogee Beach is printed on Epson heavyweight matt paper with archival inks and is just US$20 through the Lost At E Minor store. Read more
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