Art / A. Andrew Gonzalez
With just a limited, two-toned palette of acrylics, A. Andrew Gonzalez renders incredibly detailed images, mainly of goddesses and sirens, that look as if they’ve been carved in relief out of marble.
Tagged: minimalist paintings, portraits, portraits of ladies
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Samantha Everton’s latest exhibition, Vintage Dolls, explores ‘history, race and culture through magic realism’. Of the series, Everton says: ‘I was inspired by the innocent act of children playing dress ups and the way they re-enact adult behaviour, concepts and themes, without preconceptions or judgement’. The show runs at the Dickerson Gallery, Melbourne, between March 4-22 and at the Dickerson Gallery in Sydney between April 1-19.
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New York and Zurich-based artist Urs Fischer’s entropic sculptures and installations blows apart people’s expectations of what to expect at a gallery. Last year’s installation, You, at Gavin Brown was a 38-foot-by-30-foot crater dug into the gallery floor. His huge, ambitious works seem frantic and impulsive despite the immense planning and meticulous execution they often require. His mockery of physics, and the enormous scale and shock-and-awe quality of his work suggest the god-like potency of an artist, at least within a gallery space. Read more
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Very few band reunions get me excited, but I’ve consistently loved Faith No More since I was 13. I loved their pre-Mike Patton era, I loved King for a Day, and I even loved their track with Boo Yah Tribe on the Judgment Night soundtrack. Kerrang recently hinted that a FNM reformation is in the works for ‘09, and though bassist Billy Gould has emphatically denied the rumors, the general consensus is that the reunion is on.
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Stephen Doitschinoff, aka Calma (a Lost At E Minor banner artist), recently opened a solo exhibit entitled Novo Mundo at New York’s Jonathan Levine Gallery. The Brazilian street artist’s work is somewhat unusual and exudes an appealing spiritual vibe as he embraces the fantastical and dark imagery of churches painted in female wombs. Calma has developed his own unique language and style through imagery that creatively blends Afro-Brazilian folklore with Baroque religious iconography. ‘I personally see the church as an archaic institution that always aimed to control the masses. I think it is an appropriate symbol for corrupt modern institutions like big corporations, media channels and governments,’ he Calma. Novo Mundo is on show through until December 22.
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DJ Spooky — That Subliminal Kid — is just about the deepest crate digger around, trawling the barrels of long-lost record stores for choice vinyl to spin in his wickedly dubby sets. He gave us the inside word last week on his eight favourite songs right now via our sister website, My Secret Playlist. This is what he had to say about Lee ‘Scratch’ Perry’s Panic in Babylon: ‘If there’s anything that the twenty-first century has told us, it’s that dub is the real original hip-hop. Lee Scratch even had to make it clear in 1965 by adding “Scratch” to his middle name. Take that, Grandmaster Flash!’ Read the rest of DJ Spooky’s Secret Playlist.
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We have a stack of CDs and DVDs to give away to a lucky new subscriber who signs up to receive our free weekly email publication between now and New Year’s Day. There’s 50 new CDs in the pile, along with a handful of DVDs. So sign up now and leave a message here telling us what album you hope will be in the pile!
Shattered vintage vinyl. The likes of Rolling Stones, Beatles, Beethoven, Mozart, MC Hammer and a touch of Gospel. A combination of music history to wear around your neck wherever you go! Grab one now in the Lost At E Minor store for $33. Read more
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