Chris Buzelli

WE'RE SUPPORTING

Not only is the scale of the things Italian street artist Blu is doing on the street, impressive — he does these huge pieces with just rollers with long extensions — even more amazing is how quickly he works. If you haven’t seen the stop motion animation he did, you should. It’s an animation on the walls of a street in which he’s painting, then buffing, then painting it again, with a succession of characters moving all around. It’s just insane how much work it takes to create these things. I don’t think anyone has ever done anything like it. Read more

WE'RE TRAVELLING TO

I’d never before seen a museum where the building itself is the attraction more so than what is exhibited inside. Built by Daniel Libeskind in 1999, the Jewish Museum in Berlin is worth a visit even if you are not an architecture fan. Read more

WE'RE WEARING

These vegan designer bags from Matt & Nat are made out of anywhere between 15 and 55 recycled plastic bottles. It also uses no leather, which is a big plus given that according to the UN, raising cattle generates more greenhouse gases than all the cars and trucks in the world combined.

WE'RE THINKING

Yann Gross’ photos of tattooed bikers, cowboys, drag races, and Confederate-flag-adorned trailer homes are unnerving documents of the American experience. But his subjects aren’t American, they’re residents of the Rhone Valley in Gross’ native Switzerland. Judging from his photos, Europeans don’t necessarily look down their noses at the U S of A. Some of them actually celebrate it, blemishes and all.

WE'RE READING

Fans of Australian buzzsaw rock trio, The Vines, might like to check out our sister site, My Secret Playlist, where drummer Hamish Rosser has written about eight songs he’s digging right now. There’s some interesting choices in there including The Strokes, James Brown, and, gulp, Joan Jett.

WE'RE WATCHING

Films involving characters faced with an impossible choice never make easy viewing, an example being the Nick Cave Australian gem, The Proposition. A nightclub manager, played with understated power by Joaquin Phoenix, is the victim here, and you actually feel truly uncomfortable as his predicament unfolds. Set in the 1980s, We Own The Night shows a real nostalgia for that period — particularly in the costumes. Read more

WE'RE LISTENING TO

I don’t know a lot about The Sugars but I like what they do. Their sound is quite rockabilly but quite modern — like White Stripes. They put out a couple of indie singles and I’d really like to find some time to work with them.