Illustration / Mais wi Pierre!
He may not be French in his spare time, but Australian illustrator Pierre surely does know how to draw, creating wonderfully fractured universes in which the creatures of his imagination dwell. Pierre has recently released his own children’s picture book, which anyone who writes for children would know is one of the hardest things in the world to achieve, let alone when you’ve done the entire script, illustrating and publishing yourself.
Tagged: Australian illustrators
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His name is Moofus, watch him draw
Oh man! This kid is amazing. And when I say kid, I mean kid. Moofus is eleven years old, lives in my hometown of Sydney, and is still at school. In his own words, ‘my mum and dad won’t let me leave school to get a proper job as I won’t fit up chimneys anymore. So I draw lots of pictures’. Every month he gives a percentage of the sales of his drawings to charity. This month it’s going to International Animal Rescue. The artworks themselves could be collectors items one day. The kid has real talent. Read more
Sugar by name, Sugar by … well, so it goes. And so she goes, the Australian artist nomadically, restlessly traveling the globe in search of inspiration, persperation and a different menu each night of the week. Such is the life. We interviewed Sugar recently: You’re in Mexico? I never quite know where you’ll be next. What brings you there? ‘I know! Since we have started communicating in 2006, I have lived in Melbourne, Zurich, Barcelona, London, Buenos Aires and now in Mexico. It is crazy but I love it’. Read more
Sydney-based illustrator and designer, Jane Abma, has recently set up her own design studio — 1000 Words — and is keeping herself busy with a variety of interesting projects. I caught up with her to chat about her studio and her work routine: What time of day do you feel the most creative? ‘It totally depends on the amount of Zs I get, but usually first thing in the morning or quite late at night. Most of my ideas come about when I’m lying in bed trying to get to sleep’. Read more
Also by JO SPURLING
Australian illustrator Ken Taylor has created imagery for some of rock n’ ’roll’s great purveyors of sound, from the Rolling Stones and Queens of the Stone Age, to Nine Inch Nails and the Mars Volta. He has an easily recognizable style that screams sharp edge cool. Bold and bawdy, Taylor’s pieces use vivid colour to create a cut-out-comic-like feel reminiscent of old movie posters from the 1930s and 40s.
Beautiful, delicate, fragile, a little bit collage, a little bit sketchfull. This is the work of Kelly Smith. Combining several mediums in a collaborative expose between pencil, paint and print to create timeless works of elegant splendour, it is easy to compare Smith’s works to the last snowflake of winter, fleeting but real, avoiding the brash bright mercantile world for the prettier climes of illustrative pleasure. Smith has a twelve-day exhibition on at the 696 Space in Brunswick, Melbourne, opening November 14.
Trapped in a time warp between then and now, the work of Brandt Peters combines an old school aesthetic with a modernity bordering on futuristic fantasy, with a touch of morbid fascination thrown in for good measure. In other words, he creates wonderful imagery combining cartoon-like pin-ups with sometimes freakish attributes (large skulled beings, for instance), and every now and then seems to throw in a nod to sci-fi — such as a mechanical glass jar — for good measure. Muted tones replace the bawdy colours often associated with such mediums, giving his pieces a whimsical, dream like quality. He must live in a delightfully wispy world.
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Until recently, Australian-born, New York based designer and illustrator Deanne Cheuk was the creative force behind the stunning and progressive visuals in art and culture magazine Tokion. We spoke to her recently about her eclectic work schedule. Read more
Concept albums have always been a hit or miss affair, all too often to be taken with a pinch of salt. Some work brilliantly; many fall flat on their esoteric face. Dr John’s response to Hurricane Katrina is an intriguing album. Some is rousing, some depressing: it’s littered with political statements, perhaps too much at times but given it’s purpose the over-saturation isn’t surprising. In it, he teams up with ambassadors of blues such as Eric Clapton and Willie Nelson — artists who in the past have leant their name to issue-based music. You do get the feeling however that the collaborations are done for commercial appeal: there is something lacking from the original and distinctive Dr John. Regardless, its well worth a listen — there are very touching moments and solid protest songs to re-ignite in the world what three and a half years of other catastrophes may have covered up.
Katy Smail’s illustrations are kind of like candy floss sticking to wind blown lips — sweet, tempting, yet always just a little bit out of reach. Read more
Ninety percent of the time, you can pick a Scandinavian brand from a metric mile away, which is not necessarily a bad thing considering that the Scands have such a refined, clean approach to thinking about clothes. Read more
On my recent visit to Barcelona, my love for Animal Farm led me to the Plaça de Geroge Orwell. There I discovered Oviso. The tiny café features hand painted walls and low wooden benches, where inhabitants enjoy great coffee for €1 and discuss music, beer, photography and the hordes of tourists that bustle just beyond the quiet square.
Sufjan Stevens creates autistic music for introverts — soft, shy, naive, full of shadows, windows, and insecurities. Yet it all sounds slightly forced, his enigmatic songwriting as comforting as it is unsettling.
DJ Spooky — That Subliminal Kid — is just about the deepest crate digger around, trawling the barrels of long-lost record stores for choice vinyl to spin in his wickedly dubby sets. He gave us the inside word last week on his eight favourite songs right now via our sister website, My Secret Playlist. This is what he had to say about Lee ‘Scratch’ Perry’s Panic in Babylon: ‘If there’s anything that the twenty-first century has told us, it’s that dub is the real original hip-hop. Lee Scratch even had to make it clear in 1965 by adding “Scratch” to his middle name. Take that, Grandmaster Flash!’ Read the rest of DJ Spooky’s Secret Playlist.
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Adult Hotel opens in Nanning, China
State-controlled news outlet Xinhua reports that a new ‘adult hotel‘ is opening in Nanning, the capital of Guangxi Province in southern China. Apparently state censors think homosexuals and tattoo parlors sully their nation’s image, but not establishments aimed at facilitating heterosexual unions. The owner is apparently worried his business will be perceived as a brothel. Hmmm. In any case, the photos of a staff member demonstrating the, uh, equipment is caption-worthy for sure.
Alison Malone on her Daughters of Job photos
A couple of weeks back we featured the work of New York-based photographer Alison Malone, who went into the secretive environment of the Job’s Daughters to photograph the girls who are direct blood relatives of the Master Masons. This is the second part of that interview. Read more
Kristin Baker’s paintings strike the eye like massive Hollywood blockbusters, but have the elegance of delicate watercolors. Read more
Curious what had happened to the band Hail Social earlier this year, I started trawling the internet and excitedly uncovered signs of a Dayve Hawke side project – Weird Tapes. Read more
Christine Callahan’s colourful photography
There is magic in these photographs by New York photographer, Christine Callahan. The vibrant colors and the beauty in the everyday give me the feeling that everything is going to be just fine. Read more
We have a stack of CDs and DVDs to give away to a lucky new subscriber who signs up to receive our free weekly email publication between now and New Year’s Day. There’s 50 new CDs in the pile, along with a handful of DVDs. So sign up now and leave a message here telling us what album you hope will be in the pile!
Cassettes Won’t Listen is the brainchild of New York-based, multi-instrumentalist and producer Jason Drake and is the latest of an abundance of musical monikers he has realised over the years. Small-Time Machine is Cassettes Wont Listen’s first-ever physical release and is available for US$23.70.
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696 said | 17 November, 2008
Pierre is one of our greatest assets… it was a pleasure helping him publish his book… and bring his ideas into fruition.