Dead Farmers
|Every now and then you encounter a band whose sound cannot be confined to CD, Vinyl or a MySpace Music Player; a sound so incredible that it must be experienced first hand, in the flesh, where it can do some well-deserved damage to your eardrums. Sydney’s Dead Farmers are one of these bands. Definitely the most musical aggressive act I’ve encountered in the last two years, Dead Farmers have an intensely dirty and expansive sound that cannot be ignored. They have that wonderful talent of being so damn noisy, but not being just noise. They play frequently around Sydney and Melbourne, so if you get the chance, you should really check them out. It’s like being kicked in the guts — but in a really good way; a Fight Club kind of way.
Tagged: Aussie rock bands, rock music, Sydney bands
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Already with a Spectrum show under their belt, The Archerbolds are an up and coming Australian band well worth checking out. I saw the Sydney-based lads play recently at the Mars Hill Café and it was evident that they should be permanently rocking out on a real stage; not in front of coffee sippers. Their floating lyrics, smart guitar riffs and meaty bass lines are infused by The Strokes, Mars Volta, The Beatles, and Led Zeppelin — ultimately producing a freshly spun modern-vintage sound. Lead vocalist and guitarist Geoffrey ‘Gep’ Rectin says The Archerbolds plan to create a solid sound for next year: ‘Over summer, we’re recording an EP and working on a set sound, defining more of an image’. If their track, Rest Your Soul, is anything to go by, then it should be pretty dandy.
Debut album from Sydney band Quiet Evenings
After a day in the studio, I sometimes struggle to fall asleep due to the music still going around in my head. The debut album by Quiet Evenings has been an antidote to this audio overload. They provide a perfect ambient grace that allows me to drift off into slumber. Out now on Sydney based label, Preservation.
I am so happy that Brooklyn rock band Oneida is still making great music. They have a new album, Absolute II, coming out soon and I can’t wait to hear it.
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Also by HUNA AMWEERO
Ummm, Beyonce’s Single Ladies anyone?
It’s not surprising that the fifteen-year-old boy I tutor introduced me to this video. Spatial geometry and the causes of the Vietnam War gathered dust, as he made me view it numerous times, pointing out which girl was his favourite and why: the one on the left, because she’s hot; the one on the right because she is ‘hittin’ her moves’; and Beyoncé, because, well she’s Beyoncé. To be honest, after the first ten seconds of our first viewing, I became a very willing participant in the whole discussion. We talked about why Beyoncé’s pseudo-feminist lyrics sometimes annoy me (Jay-Z did ‘put a [HUGE] ring on it’) and which moves were our favourites (mine occurs at the 52 second mark, he likes the one at 1:32). Truthfully, I barely like this song, but this video is like nothing I’ve ever seen before. I wonder if we could cut the sound and get Sir David Attenborough to narrate it.
It’s hard to find a misstep on the full-length debut from Melbourne band, Children Collide. The Long Now doesn’t sound like a first album: its mature, yet completely varied sound and lyrical concept makes it feel like something you’d expect from a band on their third or fourth album (you know, after the ‘cursed’ second album). Children Collide are most definitely in control, something that could have been lost while working with big-name producer, Dave Sardy. It’s rare that you pick up a CD and feel like the band has decided on everything, right down to the artwork that encases their killer album. We threw guitarist-singer Johnny Mackay a few questions about how they managed to wrap everything up in such a … errr … tight little package. Read more
The John Steel Singers’ Rainbow Kraut video
I can say with an unwavering amount of conviction that kaleidoscopes are the greatest things ever invented. Well, one of them at least. Brisbane band, The John Steel Singers, take that statement and turn it into a super cool video for their song, Rainbow Kraut. I think Oliver Sacks would agree: phantom hands should always play keyboards.
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Tyson McAdoo is responsible for depicting these salacious bombshells, taking seemingly ordinary situations — like sitting on a couch, riding a motorbike or riding an invisible horse (things I am sure we’ve all done at some stage) — and adding some sassy young minx as the focal point, creating a playground for your eyeballs. Apparently McAdoo is imprisoned within his creative universe, or some dungeon according to his bio, accompanied only by ‘two pathetic ghetto rats, Squeezie and Pocket’, and forced to draw the Empress of Ink over and over each day so she dare not fade. You can pick up prints of his work online, and they are damn reasonably priced compared to what some prints go for these days.
I’m such a sucker for colored pencil these days and I’m really digging the way UK illustrator Peter James Field goes at it. The pencil brings a soft, folkiness to what might otherwise be pretty straightforward renderings.
Sydney indie heroes (in the nicest possible way), The Paper Scissors (TPS to those that know the secret handshake) have made a video for their new single, The Bandit. And it’s good. Damn good.
Ben Thomas applies the skills he learned at the International Design and Animation School in Adelaide to make large, wide-angle photos of massive urban landscapes look as if they are tiny dioramas. Read more
We’re launching a new email newsletter in a few weeks time called My Secret Playlist in which a different guest musician each week will write about eight songs that they’re loving right now. Read more
Canada seems to be the land of amazing ambient metal duos. Montreal has Menace Ruine, and Toronto has Nadja, a formidable couple that churns out huge-sounding, bass and electronics-driven doom that draws your gaze up towards the stars just as old cathedral ceilings humble the faithful and make them think of the Almighty.
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Bikes, text messages, objects found in her apartment … there seems to be nothing that artist Olek can’t crochet. Read more
WE'RE POSTING / SOME OF THE BEST
The return of the Brionvega rr226
Italian brand Brionvega has resurrected the classy Radiofonografio piece first created in 1965. The updated version is just like the original turntable/radio unit, but also has a CD/DVD player.
How ’bout this Jose Manuel Hortelano-Pi guy, huh? Quite the illustrator, yessiree Bob. From Spain, too. Spain is great! Read more
Michelle Blade’s psychedelic artwork
Michelle Blade’s washed out paintings are deceptively simple, her washy acrylics creating psychedelic textures and conjuring ghostly figures from the past. Read more
Matthew Dear’s Black City album totem
Our friends at Ghostly International are releasing Matthew Dear’s Black City album as a limited edition ‘totem’. A what? A totem – a limited edition metal bar used to access a private music chamber. Cool! Read more
Pitched as ‘Ulterior Motives in Contemporary Art’, Disorder Disorder is running until November 14 at Penrith Regional Gallery. It’ll be well worth the trip out west of Sydney: the Australian, Japanese, American and European cast reads like a warriors of street art roundup and includes Mike Giant, Ed Templeton, Anthony Lister [artwork above], Ozzie Wright, and Jonathan Zawada. Read more
Necklush is a original multi-strand scarf and necklace hybrid. The multiple, seamless cotton loops allow for many different styles and forms, while remaining simple, yet modern. Hand-printed and handmade in Brooklyn. Read more
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