Heiko Muller

WE'RE SUPPORTING

I’ve just discovered the work of Arien Valizadeh and I’m very impressed. His Iranian-American background (he studied under a master Farsi Calligrapher) has shaped his artistic vision, which maintains the classical presence of Persian figurative painting. If that’s all too much, then explore his use of print and pattern and the dramatic color schemes he employs.

WE'RE TRAVELLING TO

Sydney is not as well known for its great bars as other Australian cities. The city centre is dominated by over-priced style bars, while the suburbs are ruled by beer barns overflowing with terrible music, pokies, and sports. Nestled in the back streets of Surry Hills, surprisingly close to the city, The Cricketer’s Arms bucks the trend, with an open fire-place, great contemporary music selection, comfortable couches, a cosy outdoor area, decent food, free board games, and the laidback vibe that’s now all too rare in Sydney. [pic via Time Out Sydney]

WE'RE WEARING

Seriously, all jokes aside, we really need to tear ourselves away from our computers every once in a while. These shirts, on sale at Threadless, may be intended as a light-hearted jab at modern culture, but who will be laughing when our hands become gnarled claws from decades of ceaseless typing and our spinal columns have fused solid from lack of movement? Evil monkeys, that’s who.

WE'RE THINKING

It’s windy, cold, and raining out. On days like this, looking at the intricate work of artists like Kristopher Ho feels like re-reading an old book that you loved as a kid but forgot about in your more cynical adulthood. Read more

WE'RE READING

San Francisco-based illustrator Luke Feldman has just had his first children’s book published, Chaff n’ Skaffs: Mai and the Lost Moskivvy, a collaboration with writer Amanda Chin. The book artfully tells the story of Mai, ‘a young girl who never ventured too far from her home. When a lost mosquito interrupts Mai’s sleep, her friend Chaff suggests they escort Moskivvy back home to a faraway land. So begins a courageous girl’s voyage into a fantastic world’, all communicated beautifully through Feldman’s colorful, dynamic and considered illustrations. Read more

The Australian film collective behind the sci-fi spoof, The Time That Time Forgot, perfectly capture the look and feel of awkward, low-budget rip-offs from the ’70s — the psychedelic lighting, bad dubbing, and amazing hair. One almost wishes Italian Spiderman was for real. [more about Italian Spiderman]

WE'RE LISTENING TO

The song Blasphemous Rumours by Depeche Mode is just about the most dark, beautiful thing I’ve ever heard. There’s something very compelling about it all: it’s gloomy and depressing during the verses, but then this sexy, almost hypnotically melodic chorus bursts in out of nowhere. The song came out in 1984 and is reputedly based on a true story, with singer Dave Gahan concluding at the end of it all: ‘I don’t want to start any blasphemous rumours but I think that God’s got a sick sense of humour, and when I die, I expect to find Him laughing’. Brilliant.