Art / Maho Kino
For anyone living in the Williamsburg, Brooklyn area, you may already be familiar with Maho Kino’s passel of peanuts engaged in everything from ballet to riding dogs to playing the congas. Kino’s peanuts appear on a range of items including her beautiful etchings and her kitschy tea sets. What’s not to like about these peanuts?
Tagged: New York artists, Williamsburg
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Though his colourful murals, installations, and drawings look playful and whimsical, at the heart of Fawad Khan’s work is a dark and complex political struggle with violence and identity that takes place through, on, and in, public vehicles. The New York-based artist was raised in Pakistan and speaks of being ridiculed when he was a child as he boarded a bus in Karachi for being born in Libya. The vehicles Khan renders and replicates are not only symbols of place and authority (the New York City cab and the US mail truck) and gathering places (public buses), but also have become weapons, as the constant news of car bombs reminds us every day. Read more
Admiring the work of New York illustrator Aaron Meshon, you can’t help but start to feel like a happy go lucky little kid. And it’s a safe bet to assume that real kids really dig his stuff as well. His store, a colourful array of lunchboxes, puzzles, and backpacks, makes me miss being ten. But heck, maybe I’ll just buy myself a new lunchbox, anyway. Read more
Nelson Loskamp Chaircuts and paintings
My brilliantly eccentric and talented neighbour, Nelson Loskamp, is performing his Electric Chaircut and exhibiting some of his artwork as part of a Performance and One Day Exhibition on Wednesday, September 17th at New York’s Fuse Gallery. The night runs from 7 to 10 pm. If you’re in the city, this not to be missed!
Also by ILANA KOHN
Wow, here’s some work that just made my Friday all the sweeter. Finnish artist Ville Savimaa creates the most clean, beautiful, and bizarre images, filled with chunky, abstract characters and creatures, as if viewed through an old fashioned grainy, black and white lens. It feels a lot like the trippiest noir film you never saw. Even when colour occasionally comes into the mix, Savimaa manages to gracefully maintain that sculptural sensibility, leaving the viewer feeling as suspended as the characters themselves. Read more
As I was admiring the lovely painting of Dutch artist Helen Verhoeven, I began to notice some strange things popping up. As I continued to look, the bizarre overall nature of her work really began to dawn on me. Looking at these early in the morning while waiting for that first pot of coffee to brew, Verhoeven’s paintings leave me wondering if I’ve really woken up from my dreams yet. They are like stepping into some uncanny dream world with all their loose, colorful brushstrokes and vague figures standing about. Read more
I’ve never been one to go nuts over ceramics. However, Louisianna artist Michaelene Walsh may have changed that in a big way. What’s not to love about a ceramic popsicle collection, ceramic representations of classic vintage toys, or her amazingly whimsical mugs? As easily as these objects might have been created out of any other sculptural medium, the clay, with it’s irregularity and beautiful textured glazes, brings a tangible sense of life and character to these objects, which is what makes them special.
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Seems like you can’t throw a rock in Brooklyn these days without hitting an awesome illustrator. Thomas Herpich’s work is intricate and really drawerly (you know, like the drawing equivalent of painterly), but also draws heavily from comic books. His style is expressive and moody without being gimmicky — the idea he is trying to convey takes precedent over any kind of visual one-liners. Read more
Don’t Shoot the Puppy is one of the more difficult flash games out there, sure to engage you for hours. Strategy is the key, but quick reflexes and a photographic memory don’t hurt either. It’s rare that a computer game challenges the intellect and hand-eye coordination to this extent.
Improv Everywhere strikes again with a spontaneous musical in a Los Angeles mall. Read more
‘NaCo was created in 1999 by Tijuana’s Edoardo Chavarín and Mazatlan’s Robby Vient, schoolmates at the Art Center College of Design in Pasadena, California. Read more
Metronomy are a cool little London-based group headed by producer and remix extraordinaire, Joseph Mount. The sound sits somewhere between Autechre and Vitalic: clanging keyboards and body-gurning beats laced with an undercurrent of ominous electronica. It’s not as inaccessible as much of the more twisted electro-based stuff out there at the moment, although it retains an edge perhaps unpalatable for some ears. Yet there’s a catchiness to it that is clearly roping in the crowds: their live shows are a spectacle, complete with synchronised dancing and flashing costumes. If that floats your boat, they’re playing for free at the Tate Britain, London, on 27 September.
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Canadian designer Michael Surtees takes pictures of the same patch of sky every day as seen from his Manhattan apartment. Read more
DJ Spooky — That Subliminal Kid — is just about the deepest crate digger around, trawling the barrels of long-lost record stores for choice vinyl to spin in his wickedly dubby sets. He gave us the inside word last week on his eight favourite songs right now via our sister website, My Secret Playlist. This is what he had to say about Lee ‘Scratch’ Perry’s Panic in Babylon: ‘If there’s anything that the twenty-first century has told us, it’s that dub is the real original hip-hop. Lee Scratch even had to make it clear in 1965 by adding “Scratch” to his middle name. Take that, Grandmaster Flash!’ Read the rest of DJ Spooky’s Secret Playlist.
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James Jean on the work of Rob Sato
We asked Californian artist, James Jean, to tell us about an emerging illustrator whose work he loves right now. This is what he had to say: ‘Rob Sato offends me. Read more
David Holmes’ The Holy Pictures
David Holmes’ fourth solo album has been a long time in the making. The man who is best known for his scoring of films such as Ocean’s 11, 12 and 13, and remixing for bands like U2 and The Manic Street Preachers, took just over ten years to make his latest album. Read more
There are two Americas: one which strives to create its own culture, music, and art with a strong sense of ethics in mind, and another that drinks 32-ounce energy drinks before waiting on line to get into a club packed with women trying to get back at their overbearing fathers, and homophobic men with a fondness for Axe body spray. How do we bridge the divide?
People are always looking to push the boundaries of street art, perhaps fed up with seeing the same (wild) style of graffiti over and over again. So, like Blu and Dan Witz, Julian Beever came into our lives like a breath of fresh air. His work is stunning, mind-boggling stuff: he manages to create a world ‘inside’ a pavement with his 3D pastel illustrations, tricking the eye into believing a dimension exists right below our very feet. Read more
I like Roots Manuva because he tells stories. I know that sounds simplistic, but honestly, have you noticed how rappers, certainly American rappers, have stopped narrating their lives and are purely focused on how great they are? I know, I know, hip-hop is all about word play, slang, and blah blah blah. Read more
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Woohoo! We have five copies of the new Faint album, Fascination [Inertia], to give away to randomly selected Australian-based Lost At E Minor subscribers who leave a message under this post telling us about the last time they, ummm, Fainted.
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