Xiao He
One of the quirkiest and memorable bands to come out of the Beijing folk-rock scene was Glorious Pharmacy, an almost too-arty-for-their-own-good avant-jazz acoustic band that were notorious for impromptu puppet shows and ten-minute saxophone freak outs. Frontman Xiao He is the nucleus of the band, and his solo stuff is often much more grounded and accessible, with a distinctive, off-kilter catchiness, He’s voice wavering between a folky croon and an operatic wail. Though he hasn’t released a solo record since his debut, Birds That Can Fly High Don’t Land on the Backs of Oxen that Can’t Run Fast, he’s been busy collaborating with playwrights and underground filmmakers, as well as continuing his work with Glorious Pharmacy.
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Beijing’s thriving music scene has no shortage of good bands, but few are as unabashedly innocent and giddy as Carsick Cars. Inspired by the blazing post-punk of Swell Maps, the aloof experimentalism of 90s shoegaze bands, and occasionally the discordance of Glenn Branca, Carsick Cars are equally influenced by the bands around them — PK-14, Joyside, Gar – singing in Mandarin and transcending the derivative unoriginality that marked the Chinese rock scene just a few years ago. Catch them this month on their US tour with PK-14 and Xiao He.
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Buddhist temples all over China, Taiwan, and Hong Kong sell or give away small plastic boxes that play a loop of prayer and chanting. A few years ago, Chinese electronic act FM3 hacked into some of these boxes and programmed their own music into them. The band had their own Buddha Machines manufactured in a wide range of colors, and people went nuts over them. Now, the Beijing-based duo is back with Buddha Machine 2.0 with all new music. As with the first box, the haunting, meditative tracks on the new machine play in a constant loop when it is switched on. Users can adjust the volume, bend the pitch of the music, and plug in headphones. The new machines come in new colors — burgundy, grey, brown, and even a limited edition one made out of real Pu’er tea.
Beijing-based band Hanggai write original songs in the traditional folk styles of their Mongolian ancestors — throat-singing, horsehair fiddles, lutes — spearheading an Asian version of the old-time revival. Though it’s only through the digital age that the rest of the world can access this beautiful music, it makes you want to slow down and reflect on what we’ve lost as a species. This stuff makes every flavor of the month indie band seem vapid and meaningless.
Also by GERRY MAK
Bill Fick’s linocuts, silkscreens, and tempera painting
Chapel Hill-based printmaker Bill Fick makes awesomely grotesque faces and creatures with linocuts, silkscreens, and tempera paint. They have a vintage feel to them, as if the rotted remains ’50s advertising images have risen from the dead. Read more
Sarah Appleboum makes a neon felt and yarn explosion in your face and everywhere, the epicenter of which is in San Francisco. While you’re unconscious from the impact, you will dream of rainbow yetis, shamans, and soft revolvers.
Anointed Best New Band of 2009 by Baltimore’s City Paper, Sick Weapons embody basically what’s so great about this town — trash, and good times. They spit out sloppy, warbling, ear-piercing punk that’s more giddy than it is snarling, with frontwoman Ellie Beziat channeling Poly Styrene without being overly conscious of it. With songs like If You Love Me Take Me to the Hospital, The Prettiest Racist in Town, and Orgy on the China Train, it’s apparent these guys have their heads in a lot of unseemly places, but not up their own butts.
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London illustrator Simon Brader’s work is innovative and full of topical innuendo. I love his colour choices in particular, the soft watery washes blending energetically with the more stubborn, edgy textures.
I’m so excited to have stumbled across the work of Berkeley, California artist Weston Teruya. On first glance, his work feels purely abstract, like black and white grids with dots of colour here and there, undulating across clean backgrounds. On closer inspection, however, perfectly rendered chairs, life savers, netting, plants and various ephemera come to light. I’m always excited when I come across an artist who can so successfully merge the realistic and abstract, and Teruya does it with aplomb. Read more
We invited Greg Gillis, aka Girl Talk, who aside from being the DJ of the moment is also the remix whiz behind tracks from Beck, Tokyo Police Club, and Grizzly Bear, to give us a rundown on the songs he’s wearing out right now for our sister site, My Secret Playlist. He started off by propping Beyonce’s anthemic single, Single Ladies [listen below]. Go figure! ‘This is one of my favorite Beyonce tracks ever. It has so much energy, and the chorus gets dark in a great way. The clapping never stops. The video is a flawless execution of a performance style clip. It’s perfect’. Read the rest of Girl Talk’s Secret Playlist.
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Finnish folk band Gjallarhorn is named for the horn that the Norse god Heimdall blows to announce Ragnarock — the end of the world. The bands music is far from dark, however: their brand of Scandinavian folk music incorporates mouth harps, fiddles, flutes, and even didgeridoo in a melange of cheerful, but ethereally beautiful tunes sung in Swedish.
Melbournes laneways are cluttered with themed, designer bars. The challenge seems to be which is the most hip, funky and individual bar. Step in Section 8, an old inner city carpark furbished with warehouse pallets, patio heaters and a couple of freight containers, converted to serve you drinks. The vibe is fittingly low-key, with background music played at a reasonable level, frequently changing decor, and a variety of options to quench your thirst. It’s casual, fun and simple. Oh, and to keep it that way, there’s even a no suit policy! [photo via TravelMuse]
There was a time, many moons ago, when I would only listen to bands off New Zealand’s Flying Nun label. Yup, I would strap myself into a comfy chair, put my headphones on and, armed with a chunk of chocolate coated Peanut Slab and a can of L&P, soak up album after album of wonderfully self-indulgent low-fi melancholy. Read more
Australian label Eliza Clare/Adornus is the creative project of Samantha Grant, Sally Wilson and Emma Jackson and is named after Sarah Eliza Clare, a noted couturier in Sydney during the 1930s and 40s who was actively involved in the fashion industry until her early 70s. Read more
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Creative advertising packaging
Despite the intentions of many, it’s not so often that advertising — as an industry — truly thinks outside the box. Yet, when executed well, clever eye-catching advertising actually works. It does. As these examples will attest to. Read more
There is not a medium that UK illustrator Lizzy Stewart cannot wrap around her little finger to make the most beautiful, whimsical images. Read more
Trip out with Sparrow Vs Sparrow’s retro illustrations, I love their aesthetic, color use and sense of humor. Read more
Italian-born, New York City-based photographer Paolo Ventura creates fairy-tale like pictures out of amazingly constructed, miniature dioramas that almost trick the eye into thinking he’s a tilt-shift photographer. Read more
Fragile Vases is a new collection of vases made from recycled materials by Itunube. All parts have been carefully selected and put together, so each vase is totally unique. So now it’s possible to give a second chance to old pieces instead of throwing them into the trash. We have a selection of these vases for sale in the Lost At E Minor store for just US$85. Read more
We’ve just updated the Lost At E Minor iPhone app in the iTunes store with some new features. It’s a daily snapshot of the latest content from the site. You can download it now. Win? Well, it’s free. So you win, we win. Snap!
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