frightened rabbit
New Prizes /

Win a Frightened Rabbit CD

Thanks to our friends at Inertia, we have five copies of the awesome new Frightened Rabbit CDThe Midnight Organ Fight — to give away to randomly selected Australian Lost At E Minor subscribers. If you aren’t already a subscriber to our weekly email newsletter, sign up for free now. To win a copy, just tell us why Scottish music is the bomb or why this album will change your life (whichever comes first). Entries close Tuesday morning Australian time.

FRIGHTENED RABBIT are an unconventional three-piece with a defined personality, and a gift for being able to nail a near perfect pop song, Frightened Rabbit convey candid tales of ordinary folk with a wry, acerbic wit via an eloquent, emotive, modern garage-pop aesthetic.

‘The Midnight Organ Fight’ is produced by PETER KATIS. Who is know and loved for producing INTERPOL (the 1st two), THE NATIONAL (the last two) THE GRATES etc and who also engineered MERCURY REV’s opus ‘Deserter Songs’)

An incredibly accomplished live outfit, seemingly without any effort whatsoever, their performances at times recall the ragged, muscular energy of emo/punk (when emo was a credible phrase) three pieces such as early SEBADOH or MISSION OF BURMA, but Frightened Rabbit’s ouvre nevertheless harbours a far more universal agenda. They mix the punk power of the PIXIES with the pop emotion of SNOW PATROL.

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Olney Clark

Written during Olney’s Ph.D. in algorithmic algebraic geometry in Edinburgh, Scotland and Clark’s lost months of limbo and relocation from Los Angeles to Texas following the death of his father and grandfather, best friends Grant Olney and Barry DeBakey wrote the songs that would become their self-titled album with hints of Bryter Layter-era Nick Drake and Scott 4 era Scott Walker. But with echoes of McCartney, a la Ram, Lennon circa-Sometime in NYC, and After the Gold Rush Neil Young in their orchestrations.

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Trembling Bells

Hotly tipped by a handful of soothsayers to take 2009 by storm, Trembling Bells are an altogether different and refreshing musical experience to much of what seems to excite people at the moment. On first listen, it’s fairly easy to ignore — one could casually shrug it off as some limp take on Scottish baroque folk. Yet, there is something more to it. Rarely do you hear that high-pitched, warbling voice in mainstream music. Likewise the marching band cacophony going on in the background is both daring and highly intriguing.

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Stretchheads

Stretchheads were a great, spazzy punk band from Erskine just outside of Glasgow. They were a group of merry pranksters for the nuclear age, crunching out frantic, sproingy squall with a demented sense of humor, predating the Boredoms and transcending the spikes-and-leather punk scene that had begun to wear out its welcome in the UK in the late 80s.

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Maths explains the origin of superhero characters

I love the colours and simple reasoning in this clever series by Scottish illustrator Matt Cowen, which uses basic maths equations to explain how certain pop culture icons came to be. Read more

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Star Wars Uncut: a fully crowdsourced version of Episode IV

The project of creative technologist, Casey Pugh, this full length version of the George Lucas masterpiece was created from multiple 15 second segments recreated from the original movie and submitted by thousands of Star Wars fans, which were then spliced together by editor Aaron Valdez to form the final product. Genius, as both a commentary on contemporary pop culture trends (there are references to LEGO, stop motion, memes and the like) and on the power of tapping your audience for quality material.

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Now, this is one for the ages: back in 2010, Atlanta film-maker Walter Thompson created a jaw-dropping LEGO stop motion to propose to Nealey Dozier, his girlfriend of four years. The video took 22 hours of shooting and some 2,600 pictures to splice together, a small sacrifice to pay for years of happiness together. Right? Right! Oh, and she said yes. Bonus.

YOU'RE SAYING (2)

jaddan said | 18 August, 2008

Life, just like the movies, is articulated by the force of its musical back-drop. Change the sound, change the context, the reflex, the anticipation, the ambient fluidity. Everyday the absence of the music from this album is impacting myriad life defining actions and choices, what I wear, where I go, what I eat, potentially even whether or not I should draw the curtains. Change is good. Embrace change. This album will change my life.

Zolton said | 3 September, 2008

Hey Jaddan, you got the CD. Please email me with your postal address via the contact form on our site:

http://www.lostateminor.com/contact-us/

Z

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If you have a Twitter feed that focuses on cool pop cultural things and you’d like to swap Tweets with Lost At E Minor and other like-minded Twitterers, drop us a note (with Tweet Swap in the title). We have a system in place and we’d like to have you in on it! [illustration by Brad Fitzpatrick]


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